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Oskari 2023


3opge

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Posted (edited)

Best Picture

“All Quiet on the Western Front,” Malte Grunert, Producer

“Avatar: The Way of Water,” James Cameron and Jon Landau, Producers

“The Banshees of Inisherin,” Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

“Elvis,” Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick and Schuyler Weiss, Producers

“Everything Everywhere All at Once,” Daniel Kwan, Daniel Scheinert and Jonathan Wang, Producers

“The Fabelmans,” Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

“Tár,” Todd Field, Alexandra Milchan and Scott Lambert, Producers

“Top Gun: Maverick,” Tom Cruise, Christopher McQuarrie, David Ellison and Jerry Bruckheimer, Producers

“Triangle of Sadness,” Erik Hemmendorff and Philippe Bober, Producers

“Women Talking,” Dede Gardner, Jeremy Kleiner and Frances McDormand, Producers

 

 

Best Director 

Martin McDonagh (“The Banshees of Inisherin”) 

Daniel Kwan, Daniel Scheinert (“Everything Everywhere All at Once”) 

Steven Spielberg (“The Fabelmans”) 

Todd Field (“Tár”) 

Ruben Östlund (“Triangle of Sadness”)

 

 

Best Lead Actor

Austin Butler (“Elvis”) 

Colin Farrell (“The Banshees of Inisherin”) 

Brendan Fraser (“The Whale”) 

Paul Mescal (“Aftersun”) 

Bill Nighy (“Living”) 

 

 

Best Lead Actress

Cate Blanchett (“Tár”) 

Ana de Armas (“Blonde”) 

Andrea Riseborough (“To Leslie”)

Michelle Williams (“The Fabelmans”) 

Michelle Yeoh (“Everything Everywhere All at Once”)

 

 

Best Supporting Actor

Brendan Gleeson (“The Banshees of Inisherin”) 

Brian Tyree Henry (“Causeway”) 

Judd Hirsch (“The Fabelmans”)

Barry Keoghan (“The Banshees of Inisherin”) 

Ke Huy Quan (“Everything Everywhere All at Once”) 

 

 

Best Supporting Actress

Angela Bassett (“Black Panther: Wakanda Forever”) 

Hong Chau (“The Whale”) 

Kerry Condon (“The Banshees of Inisherin”) 

Jamie Lee Curtis (“Everything Everywhere All at Once”) 

Stephanie Hsu (“Everything Everywhere All at Once”)

 

 

Best Adapted Screenplay

“All Quiet on the Western Front,” Screenplay by Edward Berger, Lesley Paterson & Ian Stokell

“Glass Onion: A Knives Out Mystery,” Written by Rian Johnson

“Living,” Written by Kazuo Ishiguro

“Top Gun: Maverick,” Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

“Women Talking,” Screenplay by Sarah Polley

 

 

Best Original Screenplay

“The Banshees of Inisherin,” Written by Martin McDonagh

“Everything Everywhere All at Once,” Written by Daniel Kwan & Daniel Scheinert

“The Fabelmans,” Written by Steven Spielberg & Tony Kushner

“Tár,” Written by Todd Field

“Triangle of Sadness,” Written by Ruben Östlund

 

 

Best Cinematography 

“All Quiet on the Western Front”, James Friend

“Bardo, False Chronicle of a Handful of Truths,” Darius Khondji

“Elvis,” Mandy Walker

“Empire of Light,” Roger Deakins

“Tár,” Florian Hoffmeister

 

 

Best Documentary Feature Film 

“All That Breathes,” Shaunak Sen, Aman Mann and Teddy Leifer

“All the Beauty and the Bloodshed,” Laura Poitras, Howard Gertler, John Lyons, Nan Goldin and Yoni Golijov

“Fire of Love,” Sara Dosa, Shane Boris and Ina Fichman

“A House Made of Splinters,” Simon Lereng Wilmont and Monica Hellström

“Navalny,” Daniel Roher, Odessa Rae, Diane Becker, Melanie Miller and Shane Boris

 

 

Best Documentary Short Film 

“The Elephant Whisperers,” Kartiki Gonsalves and Guneet Monga

“Haulout,” Evgenia Arbugaeva and Maxim Arbugaev

“How Do You Measure a Year?” Jay Rosenblatt

“The Martha Mitchell Effect,” Anne Alvergue and Beth Levison

“Stranger at the Gate,” Joshua Seftel and Conall Jones

 

 

Best Film Editing

“The Banshees of Inisherin,” Mikkel E.G. Nielsen

“Elvis,” Matt Villa and Jonathan Redmond

“Everything Everywhere All at Once,” Paul Rogers

“Tár,” Monika Willi

“Top Gun: Maverick,” Eddie Hamilton

 

 

Best International Feature Film 

“All Quiet on the Western Front” (Germany) 

“Argentina, 1985” (Argentina) 

“Close” (Belgium)

“EO” (Poland) 

“The Quiet Girl” (Ireland) 

 

 

Best Original Song 

“Applause” from “Tell It Like a Woman,” Music and Lyric by Diane Warren

“Hold My Hand” from “Top Gun: Maverick,” Music and Lyric by Lady Gaga and BloodPop

“Lift Me Up” from “Black Panther: Wakanda Forever,” Music by Tems, Rihanna, Ryan Coogler and Ludwig Goransson; Lyric by Tems and Ryan Coogler

“Naatu Naatu” from “RRR,” Music by M.M. Keeravaani; Lyric by Chandrabose  

“This Is a Life” from “Everything Everywhere All at Once,” Music by Ryan Lott, David Byrne and Mitski; Lyric by Ryan Lott and David Byrne 

 

 

Best Production Design 

“All Quiet on the Western Front,” Production Design: Christian M. Goldbeck; Set Decoration: Ernestine Hipper

“Avatar: The Way of Water,” Production Design: Dylan Cole and Ben Procter; Set Decoration: Vanessa Cole

“Babylon,” Production Design: Florencia Martin; Set Decoration: Anthony Carlino

“Elvis,” Production Design: Catherine Martin and Karen Murphy; Set Decoration: Bev Dunn

“The Fabelmans,” Production Design: Rick Carter; Set Decoration: Karen O’Hara

 

 

Best Visual Effects

“All Quiet on the Western Front,” Frank Petzold, Viktor Müller, Markus Frank and Kamil Jafar

“Avatar: The Way of Water,” Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

“The Batman,” Dan Lemmon, Russell Earl, Anders Langlands and Dominic Tuohy

“Black Panther: Wakanda Forever,” Geoffrey Baumann, Craig Hammack, R. Christopher White and Dan Sudick

“Top Gun: Maverick,” Ryan Tudhope, Seth Hill, Bryan Litson and Scott R. Fisher

 

 

Best Animated Feature Film 

“Guillermo del Toro’s Pinocchio,” Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley

“Marcel the Shell With Shoes On,” Dean Fleischer Camp, Elisabeth Holm, Andrew Goldman, Caroline Kaplan and Paul Mezey

“Puss in Boots: The Last Wish,” Joel Crawford and Mark Swift

“The Sea Beast,” Chris Williams and Jed Schlanger

“Turning Red,” Domee Shi and Lindsey Collins

 

 

Best Animated Short Film

“The Boy, the Mole, the Fox and the Horse,” Charlie Mackesy and Matthew Freud

“The Flying Sailor,” Amanda Forbis and Wendy Tilby

“Ice Merchants,” João Gonzalez and Bruno Caetano

“My Year of Dicks,” Sara Gunnarsdóttir and Pamela Ribon

“An Ostrich Told Me the World Is Fake and I Think I Believe It,” Lachlan Pendragon

 

 

Best Costume Design 

“Babylon,” Mary Zophres

“Black Panther: Wakanda Forever,” Ruth Carter

“Elvis,” Catherine Martin

“Everything Everywhere All at Once,” Shirley Kurata

“Mrs. Harris Goes to Paris,” Jenny Beavan

 

 

Best Live Action Short

“An Irish Goodbye,” Tom Berkeley and Ross White

“Ivalu,” Anders Walter and Rebecca Pruzan

“Le Pupille,” Alice Rohrwacher and Alfonso Cuarón

“Night Ride,” Eirik Tveiten and Gaute Lid Larssen

“The Red Suitcase,” Cyrus Neshvad

 

 

Best Makeup and Hairstyling 

“All Quiet on the Western Front,” Heike Merker and Linda Eisenhamerová

“The Batman,” Naomi Donne, Mike Marino and Mike Fontaine

“Black Panther: Wakanda Forever,” Camille Friend and Joel Harlow

“Elvis,” Mark Coulier, Jason Baird and Aldo Signoretti

“The Whale,” Adrien Morot, Judy Chin and Anne Marie Bradley

 

 

Best Original Score 

“All Quiet on the Western Front,” Volker Bertelmann

“Babylon,” Justin Hurwitz

“The Banshees of Inisherin,” Carter Burwell

“Everything Everywhere All at Once,” Son Lux

“The Fabelmans,” John Williams

 

 

Best Sound

“All Quiet on the Western Front,” Viktor Prášil, Frank Kruse, Markus Stemler, Lars Ginzel and Stefan Korte

“Avatar: The Way of Water,” Julian Howarth, Gwendolyn Yates Whittle, Dick Bernstein, Christopher Boyes, Gary Summers and Michael Hedges

“The Batman,” Stuart Wilson, William Files, Douglas Murray and Andy Nelson

“Elvis,” David Lee, Wayne Pashley, Andy Nelson and Michael Keller

“Top Gun: Maverick,” Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon and Mark Taylor

Edited by 3opge
  • Hvala 3
Posted (edited)

Ne mogu da verujem da je babylon zacepljen za montazu i best picture, directing (nagazili su holivud u filmu)

 

Nisam gledala njih dosta al navijam za top gun, whale i babylon. I banshee iako nisam jos stigla da odgledam.  

 

Edited by mustang
  • +1 1
Posted

Butler za glavnu. Mada ovako na slepo može i Fraser. 

 

Ok je Na Zapadu nista novo, bice dosta za najbolji strani.

Posted

Fraser dobija gotovo sigurno za najbolju, eventualno Farrell, ali male sanse..

  • +1 1
Posted

ako bansiji ne dobiju za najfilm i fotku a onaj mali sto lici na stakora za najbolju epizodnu jebes onda sve

  • +1 6
Posted
Just now, ToniAdams said:

a onaj mali sto lici na stakora za najbolju epizodnu jebes onda sve

 

Bukvalno jedino za šta ću - baš ono - navijati. 

 

Mali je objasnio i neviđena je faca. 

  • +1 2
Posted

I ja mislim, perfect Hollywood comeback story. Brendan Frejzer isto. 

  • +1 2
Posted

Tako je trebao i rourke pa opet nista

  • +1 2
Posted

Istina.
 

Mislim, ja bih volela da Farel dobije za glavnu. Za žensku je između Blanchet i Yeoh ali nisam gledala EEAAO pa tek treba da odlučim za koga navijam.

 

Nadam se i da Triangle of Sadness neće dobiti ništa.

Posted

Pročitah negde da su Banshees ultimativni gej film i sada mi se otvorilo treće oko. :D

  • Haha 5
Posted

Ako Trougao tuge dobije za najbolji scenari (posto u druge dve kategorije nema nikakve sanse) bacam bombu na Kodak Theatre (ili kako se vec zove)..

 

Ima naravno uvek izuzetaka kod tih comeback prica. Rourke je dileja, a i Sean Penn kao Harvey Milk je nekako zicer za Akademiju. Gleda se naravno i tip uloge. Ako igras nekog bolesnog/hendikepiranog, odmah su vece sanse.

  • Hvala 1
Posted
10 minutes ago, Jimmy Kowalski said:

 Kodak Theatre (ili kako se vec zove)..

Dolby, ali tjt, Kodak je stari naziv.

  • +1 1
Posted (edited)
16 minutes ago, Mos said:

Pročitah negde da su Banshees ultimativni gej film i sada mi se otvorilo treće oko. :D

 

Ne znam zasto se sad setih ovoga, ali eto ga na temi, ne moze da skodi

 

 

Edited by Jimmy Kowalski
Posted

Banshees i belgijski Close su mi daleko najbolji od svega sto je nominovano za najfilm, ukljucujuci i neamericke. Nisam jos gledao Tar, Women Talking i Na zapadu nista novo.

 

Babylon pokraden, cista magija i nenormalna energija u prvoj polovini filma, nisam se bolje proveo u bioskopu jos od poslednjeg Tarantina (taman su idealan Margo Robi + Holivud kombo). Posle malo uspori, ali svejedno 3 sata prolete, dok sam recimo za 50 min kraci EEEAAO imao utisak da traje 15 sati. Malo koji film me je tako umorio. Nije to sasvim bez djavola, ima zanimljivih ideja, scena i stoseva, ali tesko da cu ga ikad reprizirati. 11 nominacija je teski wtf.

  • +1 3

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