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now playing 2nd coming

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  • Jos radi np! A ne slusam nista novo, samo tuzne misli koje se plesu.    

  • Verovao il ne, upoznao sam ga pre dvadesetak godina. Da fora bude jača, tih dana sam upoznao i Ali Farku u Maliju, ali je već bio jako bolestan. Malo je nedostajalo da nagazim i Coodera ali sam došao

  • Oštećen mi je sluh u 1 uhu (skoro će mi 60 pa jbg... passed the use-by-date)... Anyway, ovo užasno (dobro) prija za one koji imaju tinnitus.   A i inače. Kupanje u debelom basu... what's not

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Ovo je valjda ono doba godine, kada se svaka nota&pauza dmitrdmitricha udene na pravo mesto&vreme, op. 57 naime.

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auerbach je smatrao da album treba da bude snimljen u staroj kući, kao mnogi od njegovih omiljenih arhoolie albuma, pa je studio preselio u staru nešvilsku kuću fotografa i umetnika buddyja jacksona, honkey chateau.

“It’s a house with a lot of character,” Auerbach says. “I’ve always loved it. I always felt inspired when I was there. I knew it would be a fun place to do something. It’s over a hundred years old. It’s got the old plaster on the walls, plaster ceilings, old wallpaper. There are big oak floors and an oak stairwell. The first floor has twelve-and-a-half-foot ceilings. It’s pretty awesome. But it’s not a recording studio by any means.”
“We had to drag all the gear in there. We set the little mixing console upstairs — this crazy, wild old ’50s Universal Audio tube console that I’d just gotten and fixed up, which was built by FAME Studios’ Rick Hall for his studio in Memphis — in a spare bedroom, and we ran the wires down the stairs. We set up James and everyone in separate little rooms downstairs. James’ little Princeton amp was right behind him, there were no baffles or anything, and so when he was soloing it was all bleeding into his vocal mic. Adrian Marmolejo, James’ bassist since the beginning, was in the hallway, peeking around the corner. We had these beautiful microphones sucking up the soul of the house. It sounded fucking amazing. When you have headphones on, you can hear that room. You can even see the room when you close your eyes.”

badijev honkey chateau

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Trio br. 1 je zapravo jedna cela, gotovo petnaestominutna ljubavna izjava.

quintron & miss pussycat - erotomania

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5 minutes ago, bey said:

quintron & miss pussycat - erotomania

Si ti ovaj mali maca zaljubljen u orgulje?¿

1 hour ago, Lancia said:

Si ti ovaj mali maca zaljubljen u orgulje?¿

pre čupavo čudovište

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nastavljam malo sentimentalno putovanje kroz tria - odmotava se komemorativni bramsov op. 40, redak zver u neproporcionalnoj sonornoj prodornosti strumenata; valja delikatno duvati a ne oduvati.

Sjajni su. Stefani wub

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Trio, oboa+fagot+klavier, FP. 43 u jutarnjem pejzažu sa damom, maglom i oklevanjem.

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Op.80 uglavnom, Horalna fantazija za klavir, orkestar i hor, neka vrsta probe za 9. simfoniju, čak je progresija horske ode slična.

Prvo izvođenje beše 22.12.1808. u programu sa 4. klavirkoncertom, 5. i 6. simfonijom, delovima C-dur mise..

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Preko četri sata borbe sa gluvoćom, drugorazrednim i neuvežbanim izvođačima, pogrešno kopiranim notnim materijalom i hladnoćom u sali.. pa ko ne bi bio nadrndan i rasčupan onoliko.

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