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Krautrock


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  • 4 weeks later...
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  • 4 months later...
Svakako da ima sistema, jer philby i ova poslednja kraljica ovde ocito miniraju temu o mom (valjda jedinom) omiljenom srpskom piscu, na identican nacin kako je Dark At_Tractor minirao temu o Krautrocku. To je valjda od suviska tog dekonstruktivizma, sta li. Whatever... samo da znate, ekipo sa instituta za drustvene nauke (ili nekog slicnog poreskog parazita koji vas drzi), svi ste mi permanentno na IL. Jbg zasluzujem i ja da mi na forumu bude lepo, ne samo ovima sto su dosli da se hvale koliko rakije su popili.
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  • 3 weeks later...
http://www.youtube.com/watch?v=V1vTzbQPVLMjoj evo sad cu da se ras-pekmezim kao bakica kad kuha kosmicki slatko od dunja-jam, prva asocijacija na berlin skulu mi je ova prilicno vanserijska stvar bernda kistenmachera, covek nije klasicno obrazovan ali je zato totalni analogni geek (a ja sam gej ol d vej for geeks :wub:) , i u nadasve hajperskom raspolozenju bih izjavio bih da je u istorijskoj ulozi schulzea inspirisao bi 1000 likova da naprave svoje svaka strina zna svoj ambient projekte. emeraldsi i oneohtrixi tutanj, neoficijelna himna olimpijskih igara anytime = epic win~!
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  • 2 weeks later...
  • 2 months later...

druze indi, izgleda da si razvio gadan uslovni refleks da postujes iskljucivo uvrede po ovom topiku i bojim se da ti tu tvoja hvaljena IL zapravo nista ne pomaze.sta ti zapravo hoces i da li ja mogu ikako da ti pomognem ? jel postoji razlog za tvoj neprekinuti bezobrazluk na ovom topiku i u odnosenju samnom ?yours truly,DA

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Mozes da:
  • uklonis tu uvredljivu karikaturu po kojoj sam ja valjda baba koja hekla (nije podlozno pregovorima - ako ne zelis da ti uvrede budu uzvracene s kamatom)
  • Da uvazis tudje misljenje i ne naturas agresivno svoje razumevanje ove (ili bilo koje) teme (ovo je opcionalno - razumecu da mislis da si posisao svu pamet sveta).

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1.1) OK, valjda ti je jasno da je uklanjanje bilo kog posta starijeg od par sati za mene kao obicnog usera herkulijanski zadatak koji neizvodiv bez prethodno da hakujem bord. Da imam te moci, to bih svakako uradio.1.2) Karikatura nije nuzno znacila da si ti baba (sta god tu bilo uvredljivo), vec da zastupas jedno citanje teme koje se moze shvatiti kao konzervativno ili zastarelo ili ne preterano informativno.1.3) Da li mislis da je narucivanje porcije govana nekom zaista adekvatan odgovor na bilo kakvu karikaturalnu humoresku, a pogotovo sa dve babe koje prave pleteninu sa amblemima Krautrok bendova ?2.1) A gde zapravo tvoje misljenje nije bilo uvazeno ? Ti si na moj post koji se ticao trenutnog opsega teme nastupio sa varijantom 'ti ces meni da pricas o XY' i pritom me nazvao olosem (a do kraj veceri istresao iz rukava jos sta sve ne sto je moderacija pobrisala) i nastavio si me psihopatski juriti po forumu gde si stigao (topici na PDF-u umetnost pre svega). Da li mislis da si tom prilikom demonstrirao nivo komunikacije da bismo uopste mogli da dodjemo do toga da je moj nastup agresivan, a tvoje misljenje o XY neuvazeno ?

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  • 3 months later...
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Can – The Lost Tapes (2012)3 CDs of rehearsal tapes, live recordings, studio jams and forgotten soundtracks might, in the case of most bands, seem like an overwhelming, most likely futile, indulgence. But Can – whose influence, like The Velvet Underground’s, grows with each year – are different. The German band’s entire methodology, beginning with their 1969 debut, Monster Movie, was to leave the studio tape running, editing down whatever emerged from their lengthy improvisations to create some of the most kosmische music of what became known as krautrock. The Lost Tapes, drawn from over 50 hours of recordings covering their entire career, collates the best of what was left behind.At their best, Can could be transcendental, Irmin Schmidt (keyboards), Jaki Liebezeit (drums),…S…Michael Karoli (guitars) and Holger Czukay (bass) pooling their musical talents on furiously rhythmic freakouts, atmospheric soundscapes and playfully extravagant sonic experiments. With Malcom Mooney on vocals, replaced later by Damo Suzuki, they also had vocalists wholly in synch with their aesthetic: sometimes calm, sometimes frankly berserk. Given their intuitive playing and commitment to experimentation, it’s little wonder Can continue to inspire so many.For fans of Mooney, The Lost Tapes are an especially welcome treasure trove, offering seven previously unheard tracks, including the deranged Deadly Doris and the 10-minute Waiting for the Streetcar, a classic example of Can’s winning ability to stretch one idea beyond breaking point and still emerge inspired. But there’s more to this collection than just material for completists: though some may struggle to find any purpose in The Agreement’s apparent recording of a toilet, and may wonder if monkeys were let loose in the studio for Blind Mirror Surf, the 16-plus minutes of Graublau – a 1969 soundtrack – are dizzily energetic and excitingly innovative, as good as anything they recorded.Bubble Rap is another gem, boasting a lazy, low-slung groove before building to a fierce psychedelic climax, and even Barnacles, recorded late in their career, has a pleasant funk within. With staggering live versions of Spoon and Mushroom to boot, The Lost Tapes turns out to be even rarer than its contents: a collection almost as vital as Can’s official album output.Disc 1MillionenspielWaiting for the StreetcarEvening All DayDeadly DorisGraublauWhen Darkness ComesBlind Mirror SurfOscura PrimaveraBuble RapDisc 2Your Friendly Neighbourhood WhoreWaiting for the StreetcarThe AgreementMidnight SkyDesertSpoon (Live)Dead Pigeon SuiteAbra Cada BraxasA Swan is BornThe LoopDisc 3Godzilla FragmentOn the Way to Mother SkyMidnight MenNetworks of FoamMessers, Scissors, Fork and LightBarnaclesE.F.S 108Private NocturnalAliceMushroom (Live)One More Saturday Night (Live)
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