Stripovi

[Nevernik]

Za americki strip imas CBR.

Zahvaljujem.

[Sludge Factory]

Jimmy's End: watch the trailer of Alan Moore's first film - videoWatch the first full trailer for Jimmy's End, the first film to be written for the screen by Alan Moore, the graphic-novel genius behind Watchmen, From Hell and V for Vendetta. In collaboration with photographer Mitch Jenkins, he has made a 30-minute film called Jimmy's End, one of a projected series of short films as part of a 'multi-layered, multi-episode narrative'; another one, Act of Faith, has also been completed. Jimmy's End will be released on 25 November at jimmysend.com.

Alan Moore: The Decline of English Murder – videoAlan Moore, the comic book author whose V for Vendetta mask has become a global symbol for Occupy protesters, has recorded his first-ever record for the UK arm of the movement and released it through Occupation Records. Listen to the song and watch a montage of video clips of Occupy protesters

[luba]

sad moramo da nadjemo i nesto o pred-lordu morisonu.wea ovaj audiobook ce morati da se slusa

HOWEVER: we just locked the reader for the GUN MACHINE audiobook.REG E. CATHEY.Some of you, I imagine, are saying "motherfucking QUERNS is reading the fucking book?" Others, I would hope, are saying "Norman Wilson from THE fucking WIRE!" The rest of you need to go to Google, or even Wikipedia,and get yourselves instructed about a serious fucking actor and a personal favourite. I am, frankly, shocked and amazed. He got to read the book a while back, and I'm just floored that he wanted to do it. Reg E. Cathey reads GUN MACHINE. Beat that.

[Њујоркер]

Auh, koliko uludo potrosenog mastila na novim Martijima Kad je bila najavljena ova epizoda svojevremeno, pocela je i igra pogadjalica o cemu se u stipu radi po italijanskim forumima, jer se malo ili nista nije moglo razaznati iz najave i naslovne. Da li je nastavak price o Dzasperu? Ili deci belih ociju? Ja sam bio ubedjen da cemo konacno biti upoznati sa lemurijancima, koji su treca zemaljska rasa, ali su me ova decurlija s naslovne bunila... Uglavnom, svi smo ga ugasili samo tako, jer se prica poziva ne neku opskurnu epizodu Predatori, kojih se ja cak ni ne secam da sam i citao. Uglavnom, saznajemo da nasa planeta osim Zemljana gaji i rasu vanzemljana koji su se smestili u krater planine Saste u Kaliforniji, a vodjenjem ljubavi izmedju dvaju rasa, stvara se treca, krajnje ubilacka rasa, koja se nakanila da isterbi svoje roditelje sa Saste posto-poto, pa Marti sad mora da izigrava heroja i da kolje zlocestu decu...Iskreno se nadam da je ovo poslednja Banjolijeva skrabotina, s obzirom da se sa njim poslednjih meseci Sveti Petar bakce, valjda baksuz nije stigao da nazvrlja jos jednog Martija pred put... Sto se price tice, ona nije losa uopste, ali se postavlja pitanje: Zasto, zaboga? Pa nismo li vec imali skenere i citace misli ranije u MMu? Jesmo. Cemu onda prica koja ic novo ne otkriva, nego se bavi reciklazom starih ideja upakovanih u nove oblande? Nemam pojma, ali kad se zna da je scenarista Minjako, onda stvari postaju jasnije. Minjako nikad nije ni bio neki inventivan autor, da on nesto sam smisli, Boze pomozi, ali da odradi tehnicki neki poslic, to zna. Citljiva, ali potpuno bespotrebna epizoda.Specijalne epizode po pravilu su specijalna sranja, tako je bilo i ovog puta. Marti i kompanija smestena u ambijent tridesetih. Puno je referenci na taj period, pa ko voli takve stvari, mozda mu se i dopadne. Ja volim, pa opet nisam ostao nesto impresioniran. Vec vidjeno... Ipak, pravo malo blago je dodatak, originalna prva epizoda, koja je trebala da ide kao druga, Ljudi u crnom Doka Robinzona. Da, to je period dok se Marti jos uvek zvao Dok Robinzon i dok je bio smesten u Londonu, a ne u Njujorku. Tek kasnije je ovih originalnih 64 strane LJUCa, koji su trebali da idu posle dovelne price Osveta bozanstva Ra (128 str), preradio na 96, pa je ubacio LJUC kao prvu, a Ra kao drugu, Doka zamenio za Martija, a London za Njujork.Mnogi kukaju kako je Marti postao pravi deda, i da ga nema u akciji. E, pa ovo je treca prica za redom da ga vidimo gipkog i u akciji, a vratila nam se i simpaticna ubica Stela Stivens, koja se poojavila u ranijoj epizodi Zlatna prasina, i koja umesto da odradi posao i zvekne metu (Martija), spasava mu zivot, svoj stavlja na kocku, e ne bi li njih dvoje udruzeni razotkrili zaveru koja je jedna matora kuja kovala cetiri decenije: da kontrolisie citavo covecanstvo putem mozdanih talasa. Projekat se zove (ki)Borg, a ona bi bila Kraljica. No, nas dicni don kihot uskoci u poslednjem trenu i...160 strana stripa je potroseno na temu konspiracije onih tragova sto ostaju iza mlaznjaka da nisu od vodene pare vec otrovi koji su tu da nas ciljno truju, da bi nam se serviralo na kraju da iza te budalastine, kao i iza ostalih konspiracija (pa se taksativno navode one najpopularnije poput 11 spetembra, Rozvela...) stoji organizacija Ljudi u crnom. Ajde! Strasno, kakva sranja nece objavljivati...

[Sludge Factory]

Alan Moore on Occupy, V For Vendetta And The Trouble With The 60sLast week, comic book legend Alan Moore strengthened his allegiance to the Occupy movement by donating a track to Occupation Records. ‘The Decline Of English Murder’ was released last week, on Guy Fawkes’ Night. That date is of course significant – the Fawkes’ mask worn by the lead character in his seminal V For Vendetta has become a symbol of the disparate protest movements of the modern age, first adopted by the Hacktivist collective Anonymous.

The track, tracing a grim story of inner city homicide out to a wider conversations, has some brutal things to say about the people running our financial institutions, and while the message might at first sound like it borders on the hysterical, the logic of his argument is compelling in the extreme,Moore, who takes great pride in having neither a mobile phone or an internet connection, granted NME a rare interview for the track’s release. What follows is an extended version of the interview in this week’s magazine. He has some bold things to say about the potential of the Occupy movement, V For Vendetta, and why the sixties may not have been all they’re cracked up to be.So how and why did this come about?“After I’d been down and actually checked out the Occupy camp, I was very impressed with their level of organisation, and I’d said a few words to that effect. When they said they were putting together an Occupy album I was only happy to agree to it. As it turned out, one of the songs we’d been working on, ‘The Decline Of English Murder’ seemed very appropriate, so we did a brushed up recording of it and sent it in.”What inspired the song?“I’d just seen the first part of Red Riding on Channel 4 the night before, and I was thinking that there’s something in this unpleasant English world of murder and corrupt policemen. The first verse came out as a pretty much a description of a standard English murder. But I realised that’s not enough for a song. It has to have meaning beyond the sensationalism of saying ‘isn’t murder a bad thing?’ because I think most of us have probably got that idea already. I decided to completely generalise it, talking about an individual to the entire social landscape. It’s composed of various things, the line about bunches of flowers in pedestrian precincts, you see too many of them and they’re never a good sign.”The song is incredibly provocative. Are you saying that corporate crime is actually more sinister?“I was thinking about the genuine monsters that England has produced, and we’ve produced a fair few outstandingly horrible people, the Peter Sutcliffes. But at the end of the day you have to say that they’re abhorrent and horrific but they do have a reason for doing what they do, which is that they are mad. If you take the lives of seven people that’s a terrible thing and I wouldn’t want to diminish the awfulness of it.

But there is something more straightforward about that behaviour than the financial psychopaths who have been running our financial institutions for 30 years. Those people who at the stroke of a pen are knowingly committing thousands of people to a greatly diminished form of life, if not actual death.

And there’s the knock-on effects. As people get more desperate, history suggests that they’re not going to rise in a mighty proletarian tidal wave and wash away their oppressors. They’re gonna turn on each other. It’s more likely that frustrated men will turn on their wives and children. These people have a case to answer. It’s not just ‘what did you do with our money?’ It’s ‘what did you do to our lives?’ That strikes me as a more calculated and morally evil course of action than killing the prostitute because God told you to.”All that said, do you think movements like Occupy and Anonymous can be an effective opposition?“The thing that impressed me most about Occupy was that this kind of action is very much a moveable feast. That’s perhaps one of their greatest weaknesses but also their greatest strength. Movements of the past have carved out their manifestos in stone and quickly made them into dogmas which have not kept abreast of a world that is changing rapidly. If you’re going to have any kind of political opposition in the 21st century then it has to be as fundamentally liquid as the rapidly changing society we’re living in. But this is an ongoing thing now, it’s not going to go away. What is most likely to happen is they will become the prototypes for more sophisticated forms of protest which will arrive with the next wave of technology.”When did you first become aware that the V For Vendetta mask had become an emblem?“A couple of years ago I saw them barracking the Scientologists and I thought that was quaint. I could see why against a litigious bunch like the Scientologists you’d want to keep your identity covered up. So that was practical. But it seems to have blossomed into quite a startling thing. It’s obviously a romantic symbol that’s seized people’s imaginations, and perhaps that story that I wrote does touch on today’s protest movements in some interesting ways. I’m not claiming I was prescient, it’s just the way we’ve been unfortunate enough for the world to work out.”Do you take a certain pride in that?“I can’t take too much because I’m not out there freezing my arse off on the steps of St Paul’s. I’m an old man who likes his books and comfort. I can’t take credit, but if something I wrote 30 years ago can be of some use then I take great pleasure in that. These protest movements that are better organised and more voluble than anything we had in the sixties - and I’m a sixties bore.”Really? Our generation would say that you guys were better? Is it technology?“We did some good and noble things in the sixties but a lot of those things were done by accident. We didn’t trust anyone over 30. We were ageist and were very conflicted about sexuality and gender. There was an awful lot of psychedelic chauvinism. Technology has made a difference but I think the people have changed too. In the sixties, for anybody to suggest that the government didn’t have our best interests at heart and policemen sometimes killed people would have automatically made them a radical firebrand lefty. That’s not the case anymore. At marches these days you’ll see just as many pensioners and toddlers.”What do you make of the criticism that this is the same old bunch of crusties and trustafarians who’ll turn up to anything?“I don’t know if there are that many trustafarians. I don’t know them that well, but this is a global movement, and any criticisms that might be levelled at the English branches of Occupy you couldn’t level at the Indginacos in Spain, it’s a different culture. Globally you can’t say this is the same old bunch crusties, because it’s a lot bigger than any of the protests of the past, this is global. Sometimes these criticisms have a germ of truth in them, but I don’t think it discredits the courage of the people involved.”NME.COM blogs contain the opinions of the individual writer and not necessarily those of NME magazine or NME.COM.

Edited November 18, 2012 by Sludge Factory

[vathra]

Seća li se neko "Kosmičkih putnika" Pola Žijona?Tapir je bio faca i po

[scab]

samo da se pohvalim da sam od danas bogatiji za ovaj biser:

[kim_philby]

Seća li se neko "Kosmičkih putnika" Pola Žijona?Tapir je bio faca i po

umro prosle godine zijon. ima to da se 'kupi' negde?

[Zis]

stripzona.com, RS linkovi

[kim_philby]

stripzona.com, RS linkovi

fala

[bigvlada]

Seća li se neko "Kosmičkih putnika" Pola Žijona?Tapir je bio faca i po

Sjajna priča i crteži. Imam ih dosta i u fizičkom i u elektronskom obliku. Stripzona se trudi da bude muzej stripa, ali pošto je samo forum, i dalje zavisi od filehostera.

[Calavera]

Kad smo kod tih muzeja stripova, evo sta se pre neki dan pojavilo na Comicnetu::ziga:

[borris_]

Je li ovo Sammy iza njega?

[Calavera]

Nije, ovom je sesir strateski postavljen da sakrije celavu glavu. :D Ako mislis na ovog Sammyja, je li.

[kim_philby]

calavera, da li si negde 'kupio' sagu sa paul popovom naslovnicom?