Svastara

[MocaVukotic]

klikni ovdena

[Takeshi]

[maheem]

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[Sludge Factory]

Mark Lanegan Announces New AlbumFeatures guest appearances from Josh Homme and Greg DulliBy Carrie Battan, November 8, 2011 4 p.m. CTMark Lanegan, the Gutter Twins/ex-Screaming Trees man who's sung alongside everyone from Isobel Campbell to Queens of the Stone Age, has announced that he'll put out his first Mark Lanegan Band album since 2004's Bubblegum.It's called Blues Funeral, and is scheduled for a February 7 release on 4AD in North America (February 6 in the UK). The album features appearances from QOTSA's Josh Homme, Lanegan's Gutter Twins partner Greg Dulli, Alain Johannes, and Jack Irons.

[holden kolfild]

Don’t listen to....alone. We suggest…

[Indy]

Melburnska omlaTina neki dan. Autor fotke Moby

[Sludge Factory]

January 6, 2012 8:12Jack White to collaborate with Tom Jones on new 7" record Ex-White Stripes man will release material on his label Third Man RecordsJack White has revealed he has collaborated with Tom Jones for a one-off release on his Third Man Records label.The Welsh crooner recorded a version of his 2002 track 'Jezebel' and a cover of Howlin' Wolf's 'Evil' for the release, which is set to be the latest in the label's 'Blues Series'.The former frontman of The White Stripes told Mojo that Jones "impressed the shit out of everybody" during the sessions at his Nashville studio. No release date has yet been confirmed for the tracks.The 'Blues Series' has previously featured artists such as Stephen Colbert and Insane Clown Posse, who put out their track 'Leck Mich Im Arsch' as an exclusive 7" and download last September.The unlikely hook-up with the controversial rap duo came about when they apparently crossed paths with White at an airport. White has also said that Third Man Records will also reissue a number of collections from the blues label Document Records on high quality vinyl, with releases from the likes of Blind Willie McTell and Charley Patton due out early this year.

Edited January 6, 2012 by Sludge Factory

[Sludge Factory]

David Bowie: myth-maker turns 65 away from limelightIt seems only right that the enigmatic singer remains in semi- retirement as he reaches pensionable age, says Alexis PetridisDavid Bowie in the 1970s, not a man destined to make old bones - or so we thought. Photograph: Michael Ochs Archives

It's a cliche when a rock star reaches 65 to mention the time when it didn't look like they'd make pensionable age, but with David Bowie who marks the milestone on Sunday, it's almost unavoidable. Look at a picture of him in the mid-70s, when he was ravaged by cocaine, living off a diet of red peppers and milk and so paranoid that he apparently kept his own urine in a fridge lest persons unknown steal it: this is not a man destined to make old bones.It wasn't just the drugs: there was something about the intensity with which he worked during that decade - the scarcely-believable ten-year creative streak that begins with the 1970s The Man Who Sold The World and ends with the 1980's Scary Monsters And Super-Creeps – that suggests an early demise. Someone that burns that brightly probably isn't going to burn for long.Under the circumstances, it's hard to begrudge him his ongoing semi-retirement: he last made an album in 2003, and for the best part of a decade has made only sporadic public appearances, the odd special guest spot here and there. It was precipitated by emergency surgery on a blocked artery, and lurid rumours about the state of his health have abounded ever since.Ill or not, having achieved more in one phase of his career alone than anyone can hope to in a lifetime – so much that it's literally impossible to imagine what pop music would be like if he hadn't existed – he's entitled to take early redundancy from pop stardom.You can mourn the loss of more music if you want, but in a sense, his absence feels strangely right. Before his retirement, he'd begun down the path taken by most august rock legends: having bullishly announced in 1990 that he'd never return to his most famous songs, he began playing the hits again – he performed Low in its entirety in 2002 – tacitly acknowledging that his best work was probably behind him. It's a pragmatism that has served everyone from Paul McCartney to Iggy Pop well, but the all-our-yesterdays approach somehow didn't suit Bowie.The artist who drew a decisive, iconoclastic dividing line between the 60s and the 70s in the lyrics of All The Young Dudes ("my brother's at home with his Beatles and his Stones … what a drag"), Bowie's music was never about nostalgia, always the present, or, even better, the future. Furthermore, the playing the-big-hits gigs are about creating a warm, communal glow of recognition among the audience and Bowie's music was never about that either. There was almost always something distant, aloof, other about it, even when it sounded like it was speaking directly to the listeners. "You're not alone, give your hands, you're wonderful," he cried at the end of 1972's Rock 'N' Roll Suicide, the collective we're-all-in-this-together sentiment undercut by the fact that it was sung by Bowie in the guise of someone else: he's playing a role.His music could certainly move you, but the main emotion it instilled was a kind of boggling awe, not least 1976's Station To Station, made at the height of the wee-in-the-fridge era and yet - incredibly given that Bowie claimed to not actually remember making it - arguably his best album. You listen to it, or Low, or Diamond Dogs in the absolute certainty that the person who made it was not like you or anyone else, no matter how much anyone else claimed to identify with him: not the gay kids who sat thunderstruck in front of Top Of The Pops as he casually slipped his arm around his hapless guitarist Mick Ronson ("people used to stop my sister on the street and say 'is that Mick of yours a poof?'", he later protested), not the fanatics who dressed up like him, not the legions of other artists who tried to imitate him and always fell short.Bowie was an early adopter of the internet, but he didn't really fit with the notion of a star in the 21st century, an era when the manufacturing of pop music has been laid bare on the TV and where stars are perpetually available on Twitter and Tumblr. Rock music currently exists in a world of 360 degree connectivity that's supposed to bring the artist and the fan closer and reveal the real person behind the myth. But as the best of his umpteen biographers David Buckley pointed out, with Bowie, revealing the real person behind the myth is missing the point: "the myth has far greater resonance and is far more intriguing than stolid attempts to identify a 'true' essence … his appeal has lain in the generation of myths." Those myths look likely to remain intact forever, which seems perfectly fitting.

[Indy]

Drz'se, junace!Tony Iommi Diagnosed with Cancerhttp://www.youtube.com/watch?v=L9KX8QMGDFE

[hoffnung]

thurston moorić i kim gordon se razvode!!! :o

[kobni zelaya]

Pa to je poznato već koji mesec.

[hoffnung]

Pa to je poznato već koji mesec.

e, ja nisam pratio na casu ako mislis da se ovde pomenulo-pricalo o tome? ja sam npr. to juce video, a vidim da je vijest iz prosle godine, oktobar mijesec.i sta ovo sada znaci? hajde me molim te uputi na stranice gde ste pricali ili pomenuli. imam i ja sta da kazem.edit: nahao Edited January 12, 2012 by bob mould hair style

[Indy]

Ferry se ozenio nekom klinkom... sto i nije toliko vest, koliko to sto neki mediji pisu (a mnogi, pak, ne spominju) da je to bivsa devojka njegovog sina (yucky... ako je istina).

[Lancia]

najprodavanije ploce u nevelikoj britaniji prosle godine:1. Adele - 212. Michael Buble - Christmas3. Bruno Mars - Doo-wops & hooligans4. Adele - 195. Coldplay - Mylo xyloto6. Rihanna - Loud7. Lady Gaga - Born this way8. Jessie J - Who you are9. Ed Sheeran - +10. Rihanna - Talk that talkpa se kao zabrinuli 'Indie rock's slow and painful death' tamo, a ja se mislim, sta da kaze jadni r0kendrol¿

[Hippie]

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