Poslednji film koji ste gledali Part II

[Bujodrag]

....Svejedno, Cate Blanchett je u oba glumila maestralno.

 

Svaki film u kome ona glumi je najbolji film.

-_-

[Shan Jan]

pozovi Marry Jane i pogledaj ovaj:

 

 

 

Bog te mazo, ovo moram da gledam 

[hoffnung]

ja odlgedah, sasvim nenadano - Black Rain.

 

Jbmti, kakav pravi blokbaster

 

 

 

...al tad se znao neki red...i u Holivudu i u Univerzumu .   

 

lele ala ti zaostajes 

[Mil@n]

True story, dobar trilerski zaplet, smušena razrada, verovatno ograničena time što je rađeno po istinitoj priči.

 

American Sniper, ne treba uopšte gledati ovakve filmove, nemoguće je saživeti se sa situacijom znajući motive i poreklo tih ratova. 

[Shan Jan]

OK, sve je to lepo momci, al zar nemate ni jedan normalni historijski film da znate? Pa ja mogu da nabrojim 10 za koje je vangelis pravio muziku :D

[ultra plasticni]

@Šan Jan

 

https://en.wikipedia.org/wiki/List_of_war_films_and_TV_specials

Edited December 3, 2015 by ultra plasticni

[gagilija]

ljudozder vegetarijanac hrvatski film, pa prilicno brutalan

 

Medicinski horor o korumpiranim ginekolozima i istinitim događajima iz hrvatskih bolnica koji će šokirati javnost.

Film razotkriva neimenovanu zagrebačku kliniku kao poprište pogrešnih dijagnoza, falsifikovanja podataka, korupcije, seksualnih afera i ponižavajućeg odnosa prema pacijentima i kolegama.

Danko Markan je uspešan ginekolog u najboljim godinama, cenjen stručnjak, zaposlen u vodećoj hrvatskoj klinici za ginekologiju i sterilitet. Beskrajno je ambiciozan, korumpiran, nemoralan, povezan s najgorim zagrebačkim podzemljem i spreman je učiniti baš sve. Teško razočaran i povređene sujete, jer je na šefovsko mesto izabran njegov kolega doktor Bantić i jer zgodna stažististkinja Lovrićka grubo odbija njegovo udvaranje, on laže, falsifikuje nalaze, spletkari, podmeće kolegama i radi sve ne bi li se domogao svojih ciljeva, a to ga dovodi do saradnje sa šefom narko-mafije i vlasnikom narodnjačkih klubova za kojeg obavlja ilegalne abortuse. Kad šef  zatraži da za njega napravi još jedan, poslednji ‘poslić’, a to je abortus ženi koja je s ministrom saobraćaja trudna sedam meseci, Markan isprva odbija jer radi se o ubistvu, a ne o abortusu…

 

 

http://www.imdb.com/title/tt2275813/

[Mil@n]

OK, sve je to lepo momci, al zar nemate ni jedan normalni historijski film da znate? Pa ja mogu da nabrojim 10 za koje je vangelis pravio muziku :D

Gledaj serije jbt. Rome, Tudors, Spartacus, Borgias, Vikinge...

[Dionysos]

OK, sve je to lepo momci, al zar nemate ni jedan normalni historijski film da znate?

 

http://www.imdb.com/title/tt1634013/

[maheem]

I*m with the pilots
Posted Yesterday, 12:14:47
RTS2 u 21:50
"Laurence Anyways" (Xavier Dolan, 2012)

 

fala za ovo

kakva ljubavna priča, vizuelno lep, dijalozi, tempo, muzika, sve!  
Dolan je moćan lik

Edited December 3, 2015 by maheem

[I*m with the pilots]

I*m with the pilots

Posted Yesterday, 12:14:47

RTS2 u 21:50

"Laurence Anyways" (Xavier Dolan, 2012)

 

fala za ovo

 

kakva ljubavna priča, vizuelno lep, dijalozi, tempo, muzika, sve!  

Dolan je moćan lik

 

Drago mi je da si uzivao! Odlicno ispricana ljubavna prica. Meni je to bilo upoznavanje sa Dolanom, i dalje mi je omiljeni film od njega (nisam pogledala jos one koji su prethodili ovom). Suzan Klemen me je potpuno ocarala. Sto kazes - sve - posebno interesantno mi je bilo oslikavanje muzike i mode kraja 80tih/pocetka 90tih.

 

 

Dobar intervju, gde reziser odbija da se film etiketira kao "queer film", sa cim se potpuno slazem

 

Flavorwire Interview: Director Xavier Dolan on ‘Laurence Anyways’ and the Ghetto of Queer Cinema

By Tyler Coates on Jun 27, 2013 3:00pm

 

Twenty-four-year-old Xavier Dolan is a bit of a cinematic wunderkind. After a successful career as a child actor, Dolan stepped behind the camera lens with his first film, I Killed My Mother, which he wrote, directed, and starred in before he turned 20. Since its release in 2009, Dolan has made two other films: Heartbeats, released in 2010, and Laurence Anyways, which sees its US premiere this weekend at the Angelika Film Center in New York. The film follows Fred (played by Suzanne Clément) and the titular Laurence (played by Melvil Poupaud) as their relationship is put to the ultimate test: Laurence decides to live his life as a woman. Spanning a decade, Laurence Anyways is a highly stylized, gorgeous examination of the couple’s evolving bond. I recently spoke to Dolan about why he wanted to tell this story, as well as the notion of queer cinema and why it’s a label he has come to reject.

 

Flavorwire: I just saw your film and loved it. What inspired you to write a story about a trans person?

 

Xavier Dolan: I’ve never thought of it as a story about a trans person. The story does not revolve around LGBT issues or the hardships of sexual transition — it’s always been a love story from the very beginning. That’s why it was so important that the movie would focus as much on Fred as on Lauren.

 

Well, it’s clear you didn’t make this out of some sort of agenda, which is a problem in a lot of LGBT stories.

 

Yeah, fights for rights. They’ve done it before. They’re still doing it. I’m not a documentarian; I want to tell stories, and most of the time, they will feature queer characters because I am [queer], but that’s as far as it goes. As far as I’m concerned, it’s just a matter of… instinctive — but for Laurence, of course, it was a little more elaborate than the other films where I think homosexuality was really left in the background and sort of an accessory or a writing tool. Transsexualism seemed like the most promising and rich metaphor to talk about difference amongst society and amongst a couple, and when I’m saying “difference,” I can also say the search for authenticity or lack of authenticity. When the honeymoon is over, some questions arise within a couple: “Can you accept me as I am?” and “Will you stay with me even though…” You know, because you lie to yourself and to the other [person] when you’re in a new relationship, and it’s not ill-intended and it’s probably not conscious at all, but everybody does. Then at one point, people progressively grow more familiar and become actually who they are more and more, and then there’s a point where you’re entitled to ask yourself, “Can I stay in this relationship or not?” Some people do, some people don’t. So transsexualism was this inciting moment for me; [it was] was the ultimate “Will you accept me as I am?”

 

Have you had any response from the transgender community?

 

Not especially, no. Well, first, how could I? I don’t have any transsexual friends. But I’ve received some emails and some letters. Plenty are very nice, but then I’ve read some blogs about transsexual people thinking, “I’ve seen the movie, it’s not realistic at all. He would never walk in that school dressed as a woman, it’s pure suicide. There’s a lack of research.” I don’t care about that shit. Everybody is different. Transsexual people are far from being different on that matter. Everybody is different, everybody is unique, and there’s not a How to Become a Transsexual for Dummies book. Maybe there is, but I honestly doubt it. So there’s no protocol or procedure. This is a movie, also; it’s not a documentary, it’s not an HBO series on how to be shocking! It’s not my mandate, it’s not my job. I just wanted to tell a story, a love story, but I don’t think that it’s preposterous or that it feels unreal or unlikely. I think many things in the movie seemed unlikely, but not the path that he — she — is following to become a woman. I did not do any research — that is true. But I did do the research for basic things, for example, learning that the voice is never affected by hormones. Little things, but otherwise, there was no research because there was no pretension or ambition of providing people with a guide to transsexual mores and lifestyle. I’m not interested in that. It was clearly a love story, and that’s how heterosexual people responded to it. The thing I’ve heard the most is that people, by the end of the movie when she gets out of a bar in a storm of leaves, they forgot that it once was a man. “She.” “It!”

 

Well that whole pronoun thing is really fascinating. It sort of confronts how we deal with language…

 

I think it’s better not to ask yourself any questions about, how are people going to feel. My thing is that I wish for people to look at these characters as they look at themselves. It would be preposterous to think that there would be such thing as a Jewish film or a black film or a heterosexual film, obviously, yet there is what we call “queer cinema,” and I don’t know that it is a positive thing. I’m pretty sure it helped in many, many ways and I’m not being contemptuous towards what it may have accomplished throughout the years, but I think it’s time to forget about these tags and these labels because they’re deleterious. They’re not helping. They’re ghettoizing, they’re putting things in boxes, and reminding people constantly that there are labels and there are tags and there are communities and there are groups of people. That is a sort of modern homophobia. It’s just a story. It’s a love story, and yes, she is also a transgender. And I mean, I Killed My Mother — I can’t believe people told me it was queer. Is this movie about a gay son or about a son? Is it about a son fighting for his homosexuality? Is that what it is, his homosexuality, his burning secret is making him be an asshole to his mom? No, not at all. It’s a mother-son dynamic and it has nothing to do with homosexuality.

 

If you were to choose any sort of label to describe what your work was, what would you choose?

 

Well, so far, it’s been a trilogy in love, even maybe, more specifically, on impossible love, and clearly, that’s what I’ve been focusing on. Heartbeats, again, way more than being an analysis on the sexual — people saw I Killed My Mother as a gay film about a gay son fighting for his mother to accept him. That’s the way people read it, and that’s what reflects who they are and what they want things to be, and then they saw Heartbeats as an endeavor to understand the sexual and romantic mores of a new generation while it’s merely a love triangle. When Jules et Jim was released, no one saw it that way because it was obviously straight, but it’s not that straight, by the way, when you look at it. I’m not a queer filmmaker, and I’m obviously headed towards what I hope will be a diverse cinematography and filmography. I’m not focusing on anything or trying to say anything. There is no statement. There’s just a total adaptation of who I am. [Many filmmakers] are writing about who they are, and when it’s not about who they are, it’s about other people through their own words and through their own imagination, hence there is a part of them in these characters, and that’s just the way it is.

[maheem]

Da, pretpostavio sam da ce se novinari uhvatiti transseksualnosti.

Gledao sam njegov Tom On The Farm, dobar ali ne toliko kao Laurence. Ovih dana cu overiti i ostale

Edited December 4, 2015 by maheem

[3opge]

BOYHOOD

 

kakva je ovo epska glupost, prezvakana 'zivotna' prica i gluma oskarushe od koje moze da se dobije retka stolica (ali ne Luj XI).

do duse gledaocu je data prilika da isprati sve njene faze i frizure, od pozeljne mlade mame preko milfare do nabrekle polubabe.

abnormalno uvek isti Etan Hawke.

uzas.

 

edit

utehu mi je dalo neumereno gledanje FAWLTY TOWERS

Edited December 4, 2015 by 3opge

[Utvara]

ljudozder vegetarijanac hrvatski film, pa prilicno brutalan

 

Medicinski horor o korumpiranim ginekolozima i istinitim događajima iz hrvatskih bolnica koji će šokirati javnost.

Film razotkriva neimenovanu zagrebačku kliniku kao poprište pogrešnih dijagnoza, falsifikovanja podataka, korupcije, seksualnih afera i ponižavajućeg odnosa prema pacijentima i kolegama.

Danko Markan je uspešan ginekolog u najboljim godinama, cenjen stručnjak, zaposlen u vodećoj hrvatskoj klinici za ginekologiju i sterilitet. Beskrajno je ambiciozan, korumpiran, nemoralan, povezan s najgorim zagrebačkim podzemljem i spreman je učiniti baš sve. Teško razočaran i povređene sujete, jer je na šefovsko mesto izabran njegov kolega doktor Bantić i jer zgodna stažististkinja Lovrićka grubo odbija njegovo udvaranje, on laže, falsifikuje nalaze, spletkari, podmeće kolegama i radi sve ne bi li se domogao svojih ciljeva, a to ga dovodi do saradnje sa šefom narko-mafije i vlasnikom narodnjačkih klubova za kojeg obavlja ilegalne abortuse. Kad šef  zatraži da za njega napravi još jedan, poslednji ‘poslić’, a to je abortus ženi koja je s ministrom saobraćaja trudna sedam meseci, Markan isprva odbija jer radi se o ubistvu, a ne o abortusu…

 

 

http://www.imdb.com/title/tt2275813/

 

Vrhunski film. Isti lik je radio i Metastaze. I to treba pogledati.

[beta]

a funny thing happened on the way to the forum, 1966.

igranje i pevanje po starom rimu, idealno za magloviti petak