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Posted

Proročanski naziv albuma...

Posted

Na predlog prijatelja vraćam se  odličnom albumu Laurie Anderson i Kronos Quarteta Landfall. U šteku mi je i Songs From The Bardo Od raspoloženja nešto kasnije zavisi hoće li doživeti sudbinu Olimpijskih igara.

 

 

Posted

Ratimir je tvit u odnosu na filmske radove Johna Zorna!

NP: Filmworks II Music For an Untitled Film by Walter Hill

Posted
8 hours ago, Anonymous said:

 

 

Dobra stvar, ali ne mislim da ću je slušati drugi put.

 

Btw. posle toga sam ponovo slušao Roll On John sa Tempesta, znatno mi bolje zvuči.

Posted

Nastavio sam danas sa filmskim radovima Johna Zorna i to sa XV Protocols of Zion (2005) koji odgovara i dnevnom slušanju obzirom na zavodljivu ritmičku podlogu.

Nakon toga i dalje Zorn i to sa Georgeom Lewisom i Billom Frisellom sa interpretacijama Dorhama, Mobleya, Sonnyja Clarka i Freddie Redda na News For Lulu (1988) i More News For Lulu (1992)

Savršena grafička rešenja zaslužuju da se i ovde posebno istaknu:

 

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Dalje, Laurie Anderson i Homeland (2010)

Posted

Lobi Traorè Bamako Nights Live @ Bar Bozo 1995

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Gene Clark No Other 1974

Posted
Posted

Sad "otkrih" ovu genijalnost...

 

 

Robert_Wyatt_-_Theatre_Royal_Drury_Lane.

 

(Dave Stewart nije Eurythmics-ovac, samo se isto zove.)

 

Vrlo dobra stara recenzija iz Guardiana (iz 2005.)
 

Spoiler

Long bootlegged, this glorious live album documents an intriguing moment in UK rock history, when the rock mainstream and the outer-limits vanguard were in bed together. Three decades on, it's hard to imagine a contemporary equivalent to the supergroup that Wyatt convened in September 1974: musos like Mike Oldfield and Pink Floyd's Nick Mason rubbed shoulders with jazz players Julie Tippetts and Mongezi Feza , and with avant-proggers such as Henry Cow's Fred Frith , Hatfield and the North's Dave Stewart , and Soft Machine alumnus Hugh Hopper.

 

The bulk of the set consists of a run-through of Rock Bottom, the Wyatt album released earlier that summer, a crushingly poignant work shadowed by the singer's paralysis following a fourth-floor tumble during a wild party. 'Sea Song', as mysterious and lovely a ballad as Tim Buckley's 'Song to the Siren', opens up into a fabulous extended improvisation, a malevolent meander of fuzz-bass and glittering keyboards that's akin to an Anglicised Bitches Brew. Wyatt's falsetto spirals up into ecstatic scat acrobatics, as though his spirit is trying to escape his shattered body.

 

'Little Red Riding Hood Hit The Road' - its title a whimsy-cloaked allusion to the accident - is equally stunning: Feza's trumpet channels Miles, while Wyatt's delirium of anguish is only slightly softened by the English bathos of lyrics like 'oh dearie me, what in heaven's name.' The singer actually miaows at the start of 'Alifi b', a gorgeous quilt of shimmering keys and glistening guitar, while the set ends with a rampant, edge-of-chaos take on the Monkees's 'I'm a Believer' . Alarming but true: one of the best releases of 2005 was recorded 31 years ago.

 

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