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Distopije i utopije (u filmu, knjizevnosti, filozofiji i stvarnom zivotu)


noskich

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Zvuci ti OK da svi ljudi budu svrstani u tri kaste i da si zarobljen u toj klasifikaciji do kraja zivota?U redu ako je tako.Meni su najprijemcljivije anarhisticko-socijalisticke utopije kao male zajed

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http://simplicitycollective.com/this-civilisation-is-finished-conversations-on-the-end-of-empire-and-what-lies-beyond

 

Our new book is entitled This Civilisation is Finished: Conversations on the end of Empire – and what lies beyond, but don’t be put off by the title. The content isn’t as gloomy as the title might suggest, although the book is made up of 17 conversations between Rupert and myself on a range of challenging global issues. Readers of this blog and my other books will be familiar with many of the themes, but the conversational style of this book makes it particularly accessible I feel. I hope you are stimulated and enriched by the discussion.

I’ve posted the cover and contents page below, followed by the first of our conversations. The paperback is available here and the e-book is available on a ‘pay what you want’ basis here. Please share news of this publication with others.

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gospode ja sam skrolovala do kraja da vidim kakav je kraj :sad: :isuse:

 

hvala draga :)

Edited by gospa buba
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Shitgenstein

https://electricliterature.com/ted-chiang-explains-the-disaster-novel-we-all-suddenly-live-in/ 

 

 

Ted Chiang: On the panel, I said that traditional “good vs. evil” stories follow a certain pattern: the world starts out as a good place, evil intrudes, good defeats evil, and the world goes back to being a good place. These stories are all about restoring the status quo, so they are implicitly conservative. Real science fiction stories follow a different pattern: the world starts out as a familiar place, a new discovery or invention disrupts everything, and the world is forever changed. These stories show the status quo being overturned, so they are implicitly progressive. (This observation is not original to me; it’s something that scholars of science fiction have long noted.) This was in the context of a discussion about the role of dystopias in science fiction. I said that while some dystopian stories suggest that doom is unavoidable, other ones are intended as cautionary tales, which implies we can do something to avoid the undesirable outcome.

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Izašla engleska verzija ove knjige.

 

https://www.megamaschine.org/en/

 

Quote

The End of the Megamachine brings to light the roots of the destructive forces threatening the future of humankind today. While the first part leads us to the very origins of economic, military and ideological power 5000 years ago, the second and key part retraces the formation and expansion of the modern world-system through the last 500 years. Dismantling Western progress mythologies, Scheidler shows how the logics of endless capital accumulation have devastated both human societies and ecosystems from the outset.

With the growing instability and looming collapse of the Megamachine in the 21st century new dangers as well as new possibilities for systemic change open up.

The End of the Megamachine shifts the point of view from a “history of the winners” to a “people’s history”. It highlights the key role of the “metallurgical complex” linking military and financial systems and fostering the evolution of technocratic visions of the world from antiquity to modernity. A particular focus is the history of “apocalyptic thinking” that has been formative for Western culture, both for capitalist projections of a “New World” and for anti-systemic movements.

Summary by chapters

 

 

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