April 1, 20232 yr Levo je Rock Hudson.. edit: To je bilo neko promo okupljanje kod Paramounta 1969. Eastwood i Marvin su snimali Paint Your Wagon, a Wayne je snimao True Grit.. Edited April 1, 20232 yr by Jimmy Kowalski
April 1, 20232 yr 1969 - From Left: ROCK HUDSON, JOHN WAYNE, YVES MONTAND, LEE MARVIN, BARBRA STREISAND, and CLINT EASTWOOD in front of PARAMOUNT
April 7, 20232 yr Quote Sir Patrick Stewart as Oberon in “A Midsummer Night's Dream” at the Royal Shakespeare Company, Stratford-upon-Avon, 1977.
April 7, 20232 yr Otkako znam za stewarta nema kosu. U soku sam da je ikada imao Odlican gradjen da ne zaboravim
April 24, 20231 yr Valjda je ovo OK mesto, a moze i na film i na muziku. Intervju sa Dzarmusem u Gardijanu Interview ‘The film industry is gone. It sucks’: Jim Jarmusch on swapping directing for drone rock Izdvojila bih jedan meni vrlo zanimljiv komentar i pogled na Dzarmusove junake. Quote «Jarmusch, a born and bred American, has always been looking at America like an outsider. Somehow, he is more strudel than apple pie. But Jarmusch not only looks at the country through a filter of otherness - his characters are strangers in their own land. His protagonists are all as American as it gets but not All-American. They act as they don't belong because there is no place for their temperament in the middle class or the working class. Thus, Jarmusch is the chronicler of those suspended in-between - the classless. In that, his films have more in common with the early Wenders, Herzog, and Fassbinder than they do with Cassavetes, Scorsese or Schrader. His soundtracks however, offer a full spectrum of Americana - again not mainstream, but wornderfully niche and offbeat. Jarmusch is pure fusion of all things eccentric. And so, it seems, is his wonderful music.» Interesantno je da je on drugi reditelj za koga sam procitala da je imao problema sa Vajnstinom sa pretnjom da ce da im upropasti sve sto rade, ukoliko ne uradi nesto po njegovoj volji. Drugi je Norvezanin Tydlum koji je rezirao Imitation game. Quote “I’m a control freak in that I have to do it my own way,” Jarmusch says. “I have to choose all my own collaborators. I have to have final cut. I have to produce it through my own company. And as for the people financing the films, I allow them to give me notes on a rough cut but I always, contractually, have absolutely no obligation to use them.” When making 1995’s Dead Man, Jarmusch briefly flirted with working with larger production companies and found himself at loggerheads with the then boss of Miramax, Harvey Weinstein. After Jarmusch refused to take his suggested cuts on board, Weinstein reportedly sabotaged and minimised the film’s cinematic release. Despite this, it is often declared a masterpiece by critics, and has come to perfectly embody Jarmusch’s lifelong commitment to art over commerce» Edited April 24, 20231 yr by Moonwalker
May 7, 20231 yr Jedan od klipova koje redovno pustam kad hocu instant da se oraspolozim. Cista genijalstina..
May 7, 20231 yr Ljudi, ajde neka mi neko pošalje na PM neki torent sajt - ja više nemam pojma gde da nadjem filmove
Create an account or sign in to comment