Jump to content
IGNORED

90th Academy Awards - Oscars, March 4, 2018


Ajant23

Recommended Posts

Posted

oskari se blize a jos niko ne komentarise Phantom Thread

 

sto se mene tice, fakat sam ocekivala nesto mlogo neznije od price... njena prva pojava u filmu odaje neko ultra fino i malo smotano nevinasce, kad ono........

 

cak mi i sauntrek nekako prazno deluje...... LaieA_034.gif 

 

 

  • Replies 135
  • Created
  • Last Reply

Top Posters In This Topic

  • Ajant23

    25

  • kobni zelaya

    14

  • mustang

    14

  • Fakundo Sava

    8

Posted

oskari su i teresantni samo zbog toaleta...if you ask me 

Posted

Sve u svemu opšti cirkus, odavno.

Ne pratim otkako je "Afrika" sa  Meril Strip i R. Redfordom nagradjena. 

 

Posted

Afrika se meni sviđa, posebno ona scena kad Meril bičuje lava:12_slight_smile:

 

Taj film sam svojevremeno  gledala u bioskopu sa bratom on je na svakih 5min uzdisao da je Meril toliko ružna da ne bi ni gledao da je znao. Ljakse:laugh:

  • 3opge pinned this topic
Posted

GET OUT, meni odlican. dobija za reziju najverovatnije.

Posted (edited)

BAFTA - PTA nije čak ni nominovan, ovo je totalni hipsteraj od nagrade za režiju. Jad i beda. Ako išta, film nekada mladog talentovanog Olivijeovca izašao je kao pobednik...

 

Best Film

Three Billboards Outside Ebbing, Missouri – Graham Broadbent, Pete Czernin, and Martin McDonagh
Call Me by Your Name – Emilie Georges, Luca Guadagnino, Marco Morabito, and Peter Spears
Darkest Hour – Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, and Douglas Urbanski
Dunkirk – Christopher Nolan and Emma Thomas
The Shape of Water – Guillermo del Toro and J. Miles Dale

 

Best Director
Guillermo del Toro – The Shape of Water
Denis Villeneuve – Blade Runner 2049
Luca Guadagnino – Call Me by Your Name
Christopher Nolan – Dunkirk
Martin McDonagh – Three Billboards Outside Ebbing, Missouri


Best Actor in a Leading Role
Gary Oldman – Darkest Hour as Winston Churchill

Jamie Bell – Film Stars Don't Die in Liverpool as Peter Turner
Timothée Chalamet – Call Me by Your Name as Elio Perlman
Daniel Day-Lewis – Phantom Thread as Reynolds Woodcock
Daniel Kaluuya – Get Out as Chris Washington

 

Best Actress in a Leading Role
Frances McDormand – Three Billboards Outside Ebbing, Missouri as Mildred Hayes
Annette Bening – Film Stars Don't Die in Liverpool as Gloria Grahame
Sally Hawkins – The Shape of Water as Elisa Esposito
Margot Robbie – I, Tonya as Tonya Harding
Saoirse Ronan – Lady Bird as Christine "Lady Bird" McPherson


Best Actor in a Supporting Role
Sam Rockwell – Three Billboards Outside Ebbing, Missouri as Jason Dixon
Willem Dafoe – The Florida Project as Bobby Hicks
Hugh Grant – Paddington 2 as Phoenix Buchanan
Woody Harrelson – Three Billboards Outside Ebbing, Missouri as Sheriff Bill Willoughby
Christopher Plummer – All the Money in the World as J. Paul Getty

 

Best Actress in a Supporting Role
Allison Janney – I, Tonya as LaVona Golden
Lesley Manville – Phantom Thread as Cyril Woodcock
Laurie Metcalf – Lady Bird as Marion McPherson
Kristin Scott Thomas – Darkest Hour as Clementine Churchill
Octavia Spencer – The Shape of Water as Zelda Fuller


Best Original Screenplay
Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Guillermo del Toro and Vanessa Taylor – The Shape of Water
Greta Gerwig – Lady Bird
Jordan Peele – Get Out
Steven Rogers – I, Tonya

 

Best Adapted Screenplay
James Ivory – Call Me by Your Name
Simon Farnaby and Paul King – Paddington 2
Matt Greenhalgh – Film Stars Don't Die in Liverpool
Armando Iannucci, Ian Martin and David Schneider – The Death of Stalin
Aaron Sorkin – Molly's Game


Best Cinematography
Blade Runner 2049 – Roger Deakins
Darkest Hour – Bruno Delbonnel
Dunkirk – Hoyte van Hoytema
The Shape of Water – Dan Laustsen
Three Billboards Outside Ebbing, Missouri – Ben Davis

 

Outstanding Debut by a British Writer, Director or Producer
Rungano Nyoni (Writer/Director), Emily Morgan (Producer) – I Am Not a Witch
Gareth Tunley (Writer/Director/Producer), Jack Healy Guttman & Tom Meeten (Producers) – The Ghoul
Johnny Harris (Writer/Producer), Thomas Napper (Director) – Jawbone
Lucy Cohen (Director) – Kingdom of Us
Alice Birch (Writer), William Oldroyd (Director), Fodhla Cronin O'Reilly (Producer) – Lady Macbeth


Outstanding British Film
Three Billboards Outside Ebbing, Missouri – Graham Broadbent, Pete Czernin, and Martin McDonagh
Darkest Hour – Tim Bevan, Lisa Bruce, Eric Fellner, Anthony McCarten, and Douglas Urbanski
The Death of Stalin – Armando Iannucci, Kevin Loader, Laurent Zeitoun, Yann Zenou, Ian Martin, and David Schneider
God's Own Country – Francis Lee, Manon Ardisson, and Jack Tarling
Lady Macbeth – William Oldroyd, Fodhla Cronin O'Reilly, and Alice Birch
Paddington 2 – Paul King, David Heyman, and Simon Farnaby

 

Best Documentary
I Am Not Your Negro – Raoul Peck
City of Ghosts – Matthew Heineman
Icarus – Bryan Fogel and Dan Cogan
An Inconvenient Sequel: Truth to Power – Bonni Cohen and Jon Shenk
Jane – Brett Morgen


Best Original Music
The Shape of Water – Alexandre Desplat
Blade Runner 2049 – Benjamin Wallfisch and Hans Zimmer
Darkest Hour – Dario Marianelli
Dunkirk – Hans Zimmer
Phantom Thread – Jonny Greenwood

 

Best Sound
Dunkirk – Alex Gibson, Richard King, Gregg Landaker, Gary A. Rizzo, and Mark Weingarten
Baby Driver – Tim Cavagin, Mary H. Ellis, Dan Morgan, Jeremy Price, and Julian Slater
Blade Runner 2049 – Ron Bartlett, Theo Green, Doug Hemphill, Mark Mangini, and Mac Ruth
The Shape of Water – Christian Cooke, Glen Gauthier, Nathan Robitaille, Nelson Ferreira, and Brad Zoern
Star Wars: The Last Jedi – Ren Klyce, David Parker, Michael Semanick, Stuart Wilson, and Matthew Wood


Best Production Design
The Shape of Water – Paul Denham Austerberry, Jeff Melvin, and Shane Vieau
Beauty and the Beast – Sarah Greenwood and Katie Spencer
Blade Runner 2049 – Dennis Gassner and Alessandra Querzola
Darkest Hour – Sarah Greenwood and Katie Spencer
Dunkirk – Nathan Crowley and Gary Fettis

 

Best Special Visual Effects
Blade Runner 2049 – Richard R. Hoover, Paul Lambert, Gerd Nefzer, and John Nelson
Dunkirk – Scott Fisher, Andrew Jackson, Paul Corbould, and Andrew Lockley
The Shape of Water – Dennis Berardi, Trey Harrell, Mike Hill, and Kevin Scott
Star Wars: The Last Jedi – Stephen Aplin, Chris Corbould, Ben Morris, and Neal Scanlan
War for the Planet of the Apes – Daniel Barrett, Dan Lemmon, Joe Letteri, and Joel Whist


Best Costume Design
Phantom Thread – Mark Bridges
Beauty and the Beast – Jacqueline Durran
Darkest Hour – Jacqueline Durran
I, Tonya – Jennifer Johnson
The Shape of Water – Luis Sequeira

 

Best Makeup and Hair
Darkest Hour – David Malinowski, Ivana Primorac, Lucy Sibbick, and Kazuhiro Tsuji
Blade Runner 2049 – Donald Mowat and Kerry Warn
I, Tonya – Deborah La Mia Denaver and Adruitha Lee
Victoria & Abdul – Daniel Phillips and Lou Sheppard
Wonder – Naomi Bakstad, Robert A. Pandini, and Arjen Tuiten


Best Editing
Baby Driver – Paul Machliss and Jonathan Amos
Blade Runner 2049 – Joe Walker
Dunkirk – Lee Smith
The Shape of Water – Sidney Wolinsky
Three Billboards Outside Ebbing, Missouri – Jon Gregory

 

Best Film Not in the English Language
The Handmaiden – Park Chan-wook and Syd Lim
Elle – Paul Verhoeven and Saïd Ben Saïd
First They Killed My Father – Angelina Jolie and Rithy Panh
Loveless – Andrey Zvyagintsev and Alexander Rodnyansky
The Salesman – Asghar Farhadi and Alexandre Mallet-Guy


Best Animated Film
Coco – Lee Unkrich and Darla K. Anderson
Loving Vincent – Dorota Kobiela, Hugh Welchman, and Ivan Mactaggart
My Life as a Courgette – Claude Barras and Max Karli

 

Best Short Animation
Poles Apart – Paloma Baeza and Ser En Low
Have Heart – Will Anderson
Mamoon – Ben Steer


Best Short Film
Cowboy Dave – Colin O’Toole and Jonas Mortensen
Aamir – Vika Evdokimenko, Emma Stone, and Oliver Shuster
Bronco – SLB
A Drowning Man – Mahdi Fleifel, Signe Byrge Sørensen, and Patrick Campbell
Work – Aneil Karia and Scott O’Donnell
Wren Boys – Harry Lighton, Sorcha Bacon, and John Fitzpatrick

 

EE Rising Star Award (voted for by the public)
Daniel Kaluuya
Florence Pugh
Josh O'Connor
Tessa Thompson
Timothée Chalamet

 

 

Phantom Thread je svoju jedinu nagradu dobio za kostime, pa to je dno.

 

 

Edited by Ajant23
Posted
1 hour ago, Ajant23 said:

 

 

 

Phantom Thread je svoju jedinu nagradu dobio za kostime, pa to je dno.

 

 

 

Nisam još gledao, pa ne mogu da tvrdim, ali sasvim ti verujem kad kažeš da je Phantom Thread superioran u odnosu na ostale. Mada nešto ne verujem da će PTA videti Oskare, kao što nije video ni Bafte.

 

Tri Bilborda je dobar film, zaista, mada daleko od nekog epohanlnog ostvarenja, čak mi se čini da najviše mana ima tamo gde bi trebalo najmanje da ih bude - u scenariju, neke stvari u poslednjoj trećini filma su dosta proizvoljne. I naravno, još jedan užas koji ne mogu da zaboravim

 

Spoiler

bačeni meda leži polupotopljen u plićaku na plaži. :25_money_mouth:

 

Frensis Mekdormand je dobra, ali mnogo joj je uloga takva da bi svaki Average Joe rekao: "Ova žena zaslužuje Oskara". Sam Rockwell kida , ali to je tako uvek. Lepa ideja, sa mnogo nekakvog romantizma, koji mogu da prihvatim sve dok ne pređe u ono iz spojlera.  Dobar je i Vudi, ali pored živog Rokvela ne bi smeo da dobije oskara.

Generalno, MekDona se uspešno ispolirao i sada je prihvaćen u Holivudu i neka je. Samo, nadam se da će nam, shodno talentu, u budućnosti dati više od ovoga, mada je i ovo ok.

Posted
On 5.2.2018. at 4:47 AM, Hippie said:

oskari se blize a jos niko ne komentarise Phantom Thread

 

sto se mene tice, fakat sam ocekivala nesto mlogo neznije od price... njena prva pojava u filmu odaje neko ultra fino i malo smotano nevinasce, kad ono........

 

cak mi i sauntrek nekako prazno deluje...... LaieA_034.gif 

 

 

i ja razocarana fantomom... mrzim taj tip karaktera, zaista nemam ni malo simpatija niti razumevanja za tu vrstu strasti prema jebenim haljinama i modi... da se ne lazemo, i ja jesam neko kome je takodje to vazno u zivotu, previse sam i ja vremena u zivotu potrosila na butike, aljinice, krojacice, cipelice i ostalo... ali brate, da zbog toga maltretiras sve oko sebe... to mi je fuj i apsolutno neprihvatljivo. a i u samom zbog te odbojnosti  uopste me nisu zanimali razlozi njegove fiksacije za majku i ostali psiholoski razlozi zbog kojih je postao takav kakav je bio, mrzim takvu vrstu ljudi pa se bas nisam uzivela u njegov lik. DDL mi je tu nekako rutinski odglumio, a mlada glumica je ok, interesantna, predvidjam da ce imati sjajnu karijeru. a sto se tice muzike, meni je bila odlicna, to mi je i ponajbolje u filmu, zapravo :D

Posted

dobar je režiser Paul Thomas Anderson, volem ga jako, samo nekada su mu priče bezveze, šuplje, dok neke kidaju... Magnolija.

Posted
9 minutes ago, nezvanova said:

i ja razocarana fantomom... mrzim taj tip karaktera, zaista nemam ni malo simpatija niti razumevanja za tu vrstu strasti prema jebenim haljinama i modi... da se ne lazemo, i ja jesam neko kome je takodje to vazno u zivotu, previse sam i ja vremena u zivotu potrosila na butike, aljinice, krojacice, cipelice i ostalo... ali brate, da zbog toga maltretiras sve oko sebe... to mi je fuj i apsolutno neprihvatljivo. a i u samom zbog te odbojnosti  uopste me nisu zanimali razlozi njegove fiksacije za majku i ostali psiholoski razlozi zbog kojih je postao takav kakav je bio, mrzim takvu vrstu ljudi pa se bas nisam uzivela u njegov lik. DDL mi je tu nekako rutinski odglumio, a mlada glumica je ok, interesantna, predvidjam da ce imati sjajnu karijeru. a sto se tice muzike, meni je bila odlicna, to mi je i ponajbolje u filmu, zapravo :D

O čemu ti pričaš, jbt. Meni su i PTA i likovi u filmu daleko dalji od tebe, pa to ništa ne menja na tome da je film izvanredan...

 

Tako kao ti bi film komentarisala gđa Verdiren, otprilike...

Posted

pa ja i jesam gospodja verdiren i najvolijem ventejevu sonatu da mi sviraju :wub:

Posted
13 minutes ago, nezvanova said:

i ja razocarana fantomom... mrzim taj tip karaktera, zaista nemam ni malo simpatija niti razumevanja za tu vrstu strasti prema jebenim haljinama i modi... da se ne lazemo, i ja jesam neko kome je takodje to vazno u zivotu, previse sam i ja vremena u zivotu potrosila na butike, aljinice, krojacice, cipelice i ostalo... ali brate, da zbog toga maltretiras sve oko sebe... to mi je fuj i apsolutno neprihvatljivo. a i u samom zbog te odbojnosti  uopste me nisu zanimali razlozi njegove fiksacije za majku i ostali psiholoski razlozi zbog kojih je postao takav kakav je bio, mrzim takvu vrstu ljudi pa se bas nisam uzivela u njegov lik. DDL mi je tu nekako rutinski odglumio, a mlada glumica je ok, interesantna, predvidjam da ce imati sjajnu karijeru. a sto se tice muzike, meni je bila odlicna, to mi je i ponajbolje u filmu, zapravo :D

Uh, ovo je valjda jedna od najgorih kritika ikad napisanih ovde :sad:

Posted

preteruje se sa hvalospevima fantomu, tehnički korektan ali prilično anemičan film.

 

6.87/10

tol'ko.

Posted
1 hour ago, MilenaS said:

dobar je režiser Paul Thomas Anderson, volem ga jako, samo nekada su mu priče bezveze, šuplje, dok neke kidaju... Magnolija.

 

koji to njegov film ima suplju pricu, rad sam znati?
 

Posted

Punch-Drunk Love

There Will Be Blood

Inherent Vice

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...