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maheem

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Posted (edited)

jeste da se semplovanje primenjuje u hip hopu i elektronici i da se može sve izguglati al ponekad iznenadi uvo a nekada otkriće originalnog autora teme odvede u rudarenje i nova otkrića.pre neki dan sam slušao Mike D-ja iz Beastie Boysa, pustio je stvar lako čitljivog naslova od Isaac Hayesa a ja ukačio Public Enemy-Black Steel in the Hour of Chaos na 7:13http://www.youtube.com/watch?v=8N8k3uJu6K8nekada od toliko malo naprave osnovu a nekada se mazne i mnogo više:http://www.youtube.com/watch?v=yDBIvE9J4xkjedan od omiljenih semplova, kasnije se ispostavilo da je ceo taj album nepoznatog mi autora sjajan. iskorišćen od strane J Dille za hit Erykah Badu - Didn't Cha Knowisti slučaj:http://www.youtube.com/watch?v=n2q8Fpf3eLQza Gangstarr - Just To Get Rap i House Of Pain - Fed Up (remix feat Guru)i kad sam već spomenuo Mike D-ja i BB:http://www.youtube.com/watch?v=etOrYtQ3EGciskorišćeno za Shure Shot Beastie Boysatema Moondoga iz Mr Scruff - Get A Move On:http://www.youtube.com/watch?v=jSimbyS_YlA

Edited by maheem
Posted (edited)

E jebiga zorglube, nisi morao onima koji ne znaju odmah da kvariš temu već da ljudi prvo kače ono za šta sami znaju :)RJD2 je stvarno majstor da iskopa sempl i od njega da napravi čudo, npr odhttp://www.youtube.com/watch?v=XK18OPXLcvQje napraviohttp://www.youtube.com/watch?v=rVqAdIMQZlkI Ajzak Hejs koji je zaslužan za jedno 50% današnje muzike:http://www.youtube.com/watch?v=qfVbrPoLc3w#t=35ssu postali:http://www.youtube.com/watch?v=yF-GvT8Clnkihttp://www.youtube.com/watch?v=HIxnSyqS0XM

Edited by copkillah
Posted

dj shadow je apsolvirao ovu temu, samo semplove i koristi, na endtroducingu nije odsviran ni jedan novi ton. biggrin.gifipak meni je omiljena six days war (ne samo zbog wkw spota sleep.gif)+=

Posted (edited)
ipak meni je omiljena six days war (ne samo zbog wkw spota sleep.gif)
bravo care! dva zlatna sempla. nisam siguran jesam li to kačio ovde ili na fb.http://www.youtube.com/watch?v=y2_XyRJMWngsample za veliki hit
meni je Madlib ipak najveći car semplovanja ali njegovi konačni proizvodi su ipak underground.jedna od zlatnih iskopina za
:http://www.youtube.com/watch?v=MNTHQm5Y2Dw

njegove semplove za projekat Quasimoto veoma često puštam zasebno, znači samo te isečke koje je koristio:http://www.youtube.com/watch?v=k5o9kWciqwghttp://www.youtube.com/watch?v=z1Gc3AGjKEQ

npr ovaj sample je zaslužan za otkriće odličnog albuma Arthur Verocai-a:http://www.youtube.com/watch?v=8zPRXKXFbroiskorišćeno za

Edited by maheem
Posted

odavde:pozajmljeno ovde:usput, znao sam da ce kad-tad taj facebook pokazati svrhu, otkrio sam genijalnu grupu:Vinyle Archéologie: Crate Digging & Break Excavationmanje poznati radovi iz sedamdesetih: soul, funk, muzika iz italijanskih i francuskih filmova, juzna amerika, indija, istocno-evropski dzez... Hail.gifHail.gifHail.gif

Posted

dvojac iz portlanda lilac & champagne, koji su ove godine objavili odlican album, rade isto sto i dj shadow i madlib, pozajmljuju muziku iz sedamdesetih i pakuju u nove forme, otkrivajuci zaboravljene izvodjace.

  • 3 weeks later...
Posted

j dilla je "pozajmio" celu muzicku podlogu za omiljenu mi pesmu erike badu*! ohmy.gifbas sam brzo otkrio, nakon 10 godina.1977:* - jedva cekam exit:sempl ima i jedan inception momenat, badu verziju je ukrojio neki od ovih novih nezanimljivih repera:

Posted
j dilla je "pozajmio" celu muzicku podlogu za omiljenu mi pesmu erike badu*! ohmy.gifbas sam brzo otkrio, nakon 10 godina.
pomenuo sam je u prvom postu na ovom topiku :) sempl je u stvari izabrala Erykah:
I went to Detroit to work with this cat that I heard a few tracks from that drove me crazy. Common took me over there, we went down to the basement, Common left and Dilla and I sat and talked. He had records wall-to-wall like it was a public library and he goes, "OK, I want you to look for a record." I'm leaking through these organized, tightly packed crates, and I just pulled out one record and the artist was Tarika Blue. I liked that name. I put on the first track ["Dreamflower"] and I fell in love with the song and I kept playing it over and over again and I said, "I want this." He showed me how to loop a small part of the bassline, he was very generous in teaching you and letting you be hands on. Then I left the room and when I came back he had looped some drums to a small sample of the song and I started to write to it. I came up with the Ooooh, heeeey melody. I wrote for a few days and then the song came to be. My songs sound different from everyone else's Dilla songs. The sound is a little bit more bass heavy and the frequencies are definitely different than most of the songs he does, because it's his world. But when he allowed me to come into his world, it became another kind of world. I think he allowed everybody that kind of space and that kind of freedom because he was so super creative that he would go onto something else while we learned the first part.
Posted
pomenuo sam je u prvom postu na ovom topiku :)
majstorski sam prevideo, a kliktao po svemu na temi. biggrin.gifnasao sam snimak gde se vidi kako mu je izgledao taj studio, prepun ploca:

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