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ja vazda guzijo na vlastiti sarm i ovo malo pishe... Nikad se nisam okoriscavo sentishom, gitarom ili nedajboze ovom situacijom™!!!

  • 2 weeks later...

jebemti, ode lepotica uz ciji sam glas (sa prvog albuma, pre nego su Nuns postali sranje) odrastao...http://blogs.sfweekly.com/shookdown/2012/01/rip_jennifer_miro_singer_of_sf.php

Kad pomenu poslenike roka, danas u kolima uhvatim 202-jku kako pusta neku pesmu od da l' Kerbera bese, zove se nesto Sveti Nikola, i voditelj kaze, da to pustaju zbog toga sto je danas slava i cestita svima il sta vec! Ovo je u stvari za KDP!
Znam, cuo sam je i ja. Sa novog albuma!
  • 2 weeks later...

Kraljica :(

R.I.P.

After spending a few years in limbo after scoring her first R&B hits "Dance With Me, Henry" and "Good Rocking Daddy," Etta James returned to the spotlight in 1960 with her first Chess release, At Last. James made both the R&B and pop charts with the album's title cut, "All I Could Do Was Cry," and "Trust in Me." What makes At Last a great album is not only the solid hits it contains, but also the strong variety of material throughout. James expertly handles jazz standards like "Stormy Weather" and "A Sunday Kind of Love," as well as Willie Dixon's blues classic "I Just Want to Make Love to You." James demonstrates her keen facility on the title track in particular, as she easily moves from powerful blues shouting to more subtle, airy phrasing; her Ruth Brown-inspired, bad-girl growl only adds to the intensity. James would go on to even greater success with later hits like "Tell Mama," but on At Last one hears the singer at her peak in a swinging and varied program of blues, R&B, and jazz standards.

Edited by Minimoog

  • 2 weeks later...
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