FRAGMENTS

[Hermetico]

[Hermetico]

[Hermetico]

Bones of St. Pancratius in a beautiful suit of armor

 

[Klara]

 

Chorus girl, Latin Quarter, 1950′s by Peter Basch

[Lancia]

 

[Klara]

Ne znam može li se negde pročitati i njena priča. 

 

 

 

[Klara]

Thomas Theodor Heine

 

 

[Lena]

[makaronee]

 

Na svaki izazov sadasnjosti. postoji odgovor u proslosti?

 

Виталий Комар и Александр Меламид Афиша выставки «Художник и общество, 1948–1978».

Музей изобразительных искусств. Тель-Авив, Израиль, 1978 Четыре портрета из серии

«Арль. Портреты мировых лидеров с отрезанным ухом»

Архив Музея современного искусства «Гараж» (коллекция Фонда «Художественные проекты», дар Игоря Шелковского)

[Klara]

 

[Klara]

[Klara]

https://www.metmuseum.org/art/collection/search/317882 :

 

Quote

The Mahafaly peoples of Madagascar honor the deceased members of chiefly and royal lineages by creating burial sites of imposing grandeur.
Each tomb is a solid boxlike stone sculpture that may be surmounted by as many as thirty wood sculptures. These wooden tomb sculptures commemorate deceased individuals while addressing more abstract concepts concerning the nature of existence after death and the relationship between living and dead. Funerary sculpture is understood not as a direct or literal portrait of the deceased but as a locus of connection with the ancestral realm.

The Mahafaly have adopted the term aloalo to refer strictly to the works that are used at royal burial sites. Aloalo is derived from alo, which implies a sense of an intermediary or messenger; the term therefore refers primarily to the work's function and not necessarily its form.
Alo also relates to the creation of linkages and, in the context of funerary sculpture, may refer to the visual interlocking of abstract forms integrated into a harmonious design as well the work's role as an intermediary between the worlds of the living and dead.

 

 

 

[makaronee]

Kao nekakav totalni Бранкуш..

Zgodan je i naziv "posrednika" - aloalo.

[Klara]

Trebalo je da obiđemo njegovu izložbu u Temišvaru, ali nismo stigli...

 

https://kulture.rs/konstantin-brankusi-jedan-od-najuticajnijih-vajara-20-veka/?lang=lat

[makaronee]

Ovde je uvek otvoreno.

Bez obzira što je skulpturu poželjno obilaziti i izbliza, ako je moguće - i dotaknuti, voajerski momenat je značajan.