Bad Music koncerti

[bad music for bad people]

rani(ji) radovi:

Here, Kid Congo Powers and Ivy form just as fine a team as she and Gregory did on earlier releases, and if things aren't always as flat-out fried as on Gravest Hits and Songs, the same atmosphere of swampy, trashy, rockabilly-into-voodoo ramalama reigns supreme. The song titles alone show the band hasn't really changed its sights any: the opening two cuts are covers, "Green Fuz" and "Goo Goo Muck," while originals include "Caveman," "Can't Find My Mind," and the brilliant "The Natives Are Restless." Then there's "Don't Eat Stuff Off the Sidewalk," which almost sounds worthy of a Frank Zappa freakout (at least lyrically). Other legendary tracks like "Primitive" and "Green Door" get the Cramps makeover this time out, with the proper mix of respect and hot-wired energy, while "The Crusher" sounds like Interior's on the verge of going completely insane. The Cramps themselves take over the production this time out, resulting in a cleaner, crisper sound (especially when it comes to Knox's drums) that isn't quite as wired, for better or for worse. As commanding showmen, though, the quartet's style comes through big time, with Interior throwing in appropriate yells, yipes, and other sounds where appropriate; his antics at the end of "Goo Goo Muck" are especially gone. If anything, the moodier strutting throughout increases the creepiness of what's afoot; if things aren't psychedelic in the commonly accepted sense, it's certainly not easy listening. Interior sometimes sounds almost normal, but with the sense that something strange is lurking just around the corner, and Ivy is still one of the best guitarists around, her snarling reverb worth a thousand fret-shredders.

http://www.allmusic.com/album/psychedelic-jungle-mw0000268560

[bad music for bad people]

The tragedy of the Gun Club's third album, The Las Vegas Story, is that it was largely ignored by both critics and fans due to the mixing and mastering disaster that marred its predecessor, Miami -- an album that was full of great songs and performances but was so marred by poor sound that it sounded lifeless. Both records were issued by Chris Stein's Animal label. The Las Vegas Story was produced by Jeff Eyrich who was just coming off T-Bone Burnett's Proof Through the Night project and was about to enter the studio with both the Plimsouls and Thin White Rope. Its lineup features the return of original guitarist Kid Congo Powers, as well as drummer Terry Graham and new bassist Patricia Morrison (aka Pat Bag) from L.A. punk outfit the Bags. Late frontman /guitarist Jeffrey Lee Pierce was writing feverish rock & roll songs that took their inspiration from Southern blues and West Texas country music all framed by an angular, jagged post-punk energy. The screaming rawness at the heart of the band's debut, Fire of Love, had been replaced by a dry, moaning lonesome, percussion heavy desert sound, space and echo float through the mix like a ghost through Pierce's slide guitar playing. Bass drum and tom-toms fuel the attack with a basic, primitive nocturnal energy. Topics ranged from personal disintegration in "Walkin' with the Beast," and the country-blues-drenched "Eternally Is Here," and the shambolic, two-step country confusion of "My Dreams" that quotes directly from Television's "Marquee Moon" to the disappearance of the nation in "Bad America"'s edgy guitar wrangle. There are a couple of covers on the set tossed right in the center of the album: "The Master Plan," a spooky, brooding, rock read of Pharoah Sanders' and Leon Thomas' "The Creator Has a Master Plan," and a slovenly, funereal version of "My Man's Gone Now," by George and Ira Gershwin from Porgy and Bess. The Las Vegas Story is a provocative record that reveals the Gun Club was pulled in many directions at once, and though the tension is in evidence on every track, it nonetheless holds together. After Fire of Love, The Las Vegas Story is their most satisfying album and is, perhaps, the band's most visionary offering.

http://www.allmusic.com/album/the-las-vegas-story-mw0000691835

[bad music for bad people]

[bad music for bad people]

The Gun Club collapsed within a year of the release of 1984's The Las Vegas Story, so more than a few fans were surprised in 1987 when Jeffrey Lee Pierce and Kid Congo Powers returned with a new version of the band, featuring Romi Mori (Pierce's significant other) on bass and Nick Sanderson (ex-Clock DVA) on drums. Even more startling was that the group's comeback album, Mother Juno, was produced by Robin Guthrie of the Cocteau Twins, who would hardly have seemed a likely choice to channel The Gun Club's fiery blues-punk assault onto vinyl. But against the odds, Mother Juno turned out to be one of the band's best albums; the hard rock overtones of The Las Vegas Story were replaced by a more direct, streamlined sound that suggested Miami without the twangy undertow, and while "Bill Bailey" and "Thunderhead" proved this band could rock as hard as they ever had before, Pierce's songs were also venturing into new musical territory, as evidenced by the slow, slinky R&B of "Yellow Eyes," the atmospheric carnival-pop of "The Breaking Hands," and the contemplative "Port of Souls." And as a vocalist, Pierce's trademark just-off-pitch style had gained no small amount of nuance in the six years since Fire of Love, and whether he's shouting the blues or crooning sadly, Pierce shows he'd moved into a whole new class as a singer. Sadly, Mother Juno didn't earn a United States release until the 1990s, which is a shame; it not only made clear that The Gun Club were still alive and kicking, it showed they had lost none of their old power as they cleared out some new territory in the process. Buddha's 2000 reissue adds two solid bonus tracks, the scrappy "Crab Dance" and the moody "Nobody's City."

http://www.allmusic.com/album/mother-juno-mw0000199693

[bad music for bad people]

Satnica:vrata kluba se otvaraju u 21:30koncert počinje malo posle 22:00, svakako pre 22:30Karte:još danas do 16:00 u pinball wizard prodavnici po 1000 dinara, na ulazu u klub - 1500 dinara.

[bad music for bad people]

Ušli u Srbiju što znači da sve počinje na vreme!!

[bad music for bad people]

Hej, upravo sam saznao da je žurka posle koncerta otkazana, tako da koncert počinje oko 22:30!

[Lrd]

Hvala i ovde. Nezaboravno je bilo. Kako si ti prošao?

[bad music for bad people]

molim lepo :)prošao sam iznad pozitivne nule :yasss:http://nightlife.24sata.rs/single/gun-club/1918/kid-kongo-and-the-monkey-birds/61398

[Nikola Kiric]

pa, kud samo sa devojkama da se slika? ne bese mladih deckica? ;)

[Lrd]

pa, kud samo sa devojkama da se slika? ne bese mladih deckica? ;)

Eee, slikao sam se ja s njim, čvrsto me zagrlio. :)

[Montmorency]

Eee, slikao sam se ja s njim, čvrsto me zagrlio. :)

ne bese mladih deckicajel si star il si mlad bre? :)Super svirka bese...

[vulejov]

prošao sam iznad pozitivne nule :yasss:

Da nije bilo spiska na ulazu još bi i zaradio..

[Аврам Гојић]

prošao sam iznad pozitivne nule :yasss:

:Hail:meni mnogo zao sto nisam bio, ali ne vredi kad ova boles nece da pusti

[bad music for bad people]

pa, kud samo sa devojkama da se slika? ne bese mladih deckica? ;)

ha, kid ima muža i mislim da mu nije bilo do zezanja sa mladićima osim kad je lrd u pitanju ;)

Da nije bilo spiska na ulazu još bi i zaradio..

to je tačno. razmišljam da za naredni koncert naslovim spisak sa "sirotinja raja / nemači para / socijalni slučajevi" ili tako nešto. manje od 200 karata, a više od 70 spiskaša - to samo u beogradu može.

:Hail:meni mnogo zao sto nisam bio, ali ne vredi kad ova boles nece da pusti

ajbg, meni je bilo jako zabavno. kid ima sjajan bend!mnogo mi je krivo što su

svirali samo tonske probe radi i što nije deo repertoara, ali bilo je dovoljno gun club i cramps hitova i preko očekivanja.