Bad Music koncerti

[gervasius twinkleminkleson]

HOLY FUCKING FUCK!A ja ne znam da li cu moci da dodjem :(

[bad music for bad people]

http://www.youtube.com/watch?v=YavMG89hyCE

[bad music for bad people]

kompilacija:

http://www.mediafire.com/download/ww8m77aajlo271k/TCG_Promo_BG.zip

[Unholy Me]

Aaaaaaaaaaaaaaaaaaaaaaaaaa! 'Ebeno svaka chast za ovo!!!! Dan bolje nije mogao da mi pocne!

Edited August 26, 2013 by Unholy Me

[bad music for bad people]

TOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO!!!

Aaaaaaaaaaaaaaaaaaaaaaaaaa! 'Ebeno svaka chast za ovo!!!! Dan bolje nije mogao da mi pocne!

hvala drugari :)Karte danas u 16h @ Pinball Wizard Records po promo ceni od 700 din!!

[MachineGunEtiquette]

E živio! Viđo maločas na lasefem, pa reko da provjerišem. Mašala!

[bad music for bad people]

Unlike the many garage rock revivalists who seem content to follow in the footsteps of their forebears (but with less energy and creativity), on their debut album, Fire at Will, the Bloody Hollies burn with a crazed intensity that ignites each track. "Give it all you got!" Wesley Doyle screams on "Penetrate," and it could be the motto for the entire album. Songs like "Downtown Revolver" and "Swing" -- a rockabilly-tinged, chair-kicking song about "just hangin' around" -- get right to the point with an energy that borders on apocalyptic. Along with their other Sympathy for the Record Industry compatriots and alumni, the Bloody Hollies are experts at making stripped-down and basic sound vital and exciting. Their take on garage rock is amped up with the relentlessness of punk and tempered with keen pop structures, especially on "Hard-Bitten" and "Yeah Yeah." In fact, the first half of Fire at Will is a nearly flawless display of the Bloody Hollies' powers; on the second half, they tweak the formula slightly, with varied results. "Tired of This Shit" captures the young, loud, and snotty vibe of classic punk perfectly, while the bluesier, slow-burning "I Need Love" is probably the closest the band will ever come to a ballad. Songs like these prove that the band doesn't always have to be on fire to be good, but two-and-a-half-minute outbursts like "Strip," "Blood Pressure," and "Emergency Shutdown" are where they really excel. By the time the snarly instrumental "Dogfight" finishes off the album, the Bloody Hollies have taken their listeners through a consistently exciting debut that's a blast of instant-gratification fun.

http://www.allmusic.com/album/fire-at-will-mw0000325246

[gervasius twinkleminkleson]

Ja ipak dolazim, ako ne u Beograd makar u neki od tih Paracina. Propustio sam ih prije par godina kad su bili, nema sanse da propustim i sad. Jedan od 3-4 najmilijih mi bendova u poslednjih par godina. Jedva cekam :)

[Apollo Creed]

Evo kako je koncert TCG doziveo Zikica pre vise od 5 godina...http://www.b92.net/kultura/pop/recenzije.php?yyyy=2008&mm=02&nav_id=284887Nemoj da je neko propustio ove majstore!!

[bad music for bad people]

intervju

[bad music for bad people]

Part of the beauty of punk rock is that you don't have to reinvent the wheel to get over with the stuff -- there are seemingly thousands of different variations to the fast/loud/snotty formula, and most of them will work just fine if you put enough legitimate vim and vigor behind them. Take the Bloody Hollies -- obviously weaned on the same blues riffs and garage rock poses as a few hundred other bands crowding the hipster landscape, these guys aren't doing anything radically different than their peers, but let 'em plug in, turn up their amps, and hit fifth gear, and you'll notice that they just plain rock harder and sound more potent than most folks walking the same line. Wesley Doyle's guitar riffs are solid, meaty, and ladled with extra sauce, his vocals drip with swaggering anger without overplaying his hand, and bassist Phillip Freedenberg and drummer Michael Argento know how to bash the music into submission without bruising it. The band's songs talk women and anger as well as anyone else on the scene, and for their second full-length album, they had the good sense to roll into Ghetto Recorders in Detroit and let Jim Diamond put their fury on tape in an appropriate environment. If Footmen Tire You... isn't going to change the way you look at punk rock, but the Bloody Hollies will give you a half-hour's worth of top-quality guitar-fueled rant, and what's wrong with that? Not a thing, pal -- crank it up and enjoy.

http://www.allmusic.com/album/if-footmen-tire-you-mw0000703625

[bad music for bad people]

The Bloody Hollies don't stray dangerously far from the fast/loud/hard sound that dominated their first two long-players on album number three, the brilliantly titled Who to Trust, Who to Kill, Who to Love, but at the same time this is certainly the group's most ambitious and accomplished set to date. Along with the garage punk blama-lama that's their bread and butter, The Bloody Hollies add some dashes of hard rock guitar swagger and glam-styled attitude on these ten tunes, and the moody organ intro to "Mona" kicks off the show with more texture and detail than you might expect from these guys. But don't let the new layers of depth and occasional subtlety throw you -- The Bloody Hollies are still here to rock the house, and they shake it to its foundations on this record, with the slightly more measured tempos of "Black Box Blues" and "C'Est la Vie, Ma Chérie" revealing just how much muscle this trio can summon without breaking the speed limit. Who to Trust, Who to Kill, Who to Love takes what was great about The Bloody Hollies' first two albums, refines the formula, adds some solid new accents, and ends up with a killer album that has brains, muscle, and sweat in equal measure.

http://www.allmusic.com/album/who-to-trust-who-to-kill-who-to-love-mw0000447528

[bad music for bad people]

Four years on from 2007's Who to Trust, Who to Kill, Who to Love, the Bloody Hollies have gone through some stylistic changes; where their first few albums were raw and reckless garage punk, the band has found several new ways to kick your butt and make you thank them for it on their fourth full-length, Yours Until the Bitter End. This time out, the Bloody Hollies are more of a straight-ahead hard rock band than a bunch of punk miscreants, and the songs show a greater melodic sophistication, with touches of blues, metal, and glam shining through, as well as keyboards, xylophone, and fiddle adding new colors to the arrangements. However, if they gave the car a new paint job and a fresh coat of wax, they didn't change the big block engine that drives the whole thing, and Yours Until the Bitter End still hits with the impact of a cannon; guitarists Wesley Doyle and Joey Horgen's guitars lock in and lay out fire with precision and fury, and bassist Erik Norgaard and drummer Matt Bennett explode like a handful of M-80s but still hit all the right spots along the way. The production is a shade more glossy on Yours Until the Bitter End than the band's previous records (Horgen produced the sessions while Jim Diamond mixed the tracks), which suits the more evolved approach of these tunes, but all this just means that the details are clearer while they roar loud and proud through your sound system, and that works just fine with this music. A lot of punk bands lose the plot or sap their strength when they decide to add some extra bells and whistles to their sound, but the Bloody Hollies have managed to add a fair amount without losing a thing, and Yours Until the Bitter End is a dial-it-up-to-ten triumph.

http://www.allmusic.com/album/yours-until-the-bitter-end-mw0002197740

[bad music for bad people]

Turneja je počeka pre nekoliko dana. Brdo fotografija, malo priče:http://bloodyhollies.com/index.php/tour-blog

[bad music for bad people]

http://www.allmusic....ll-mw0000325246

dwnld:

http://www.mediafire.com/download/n1prdx47zjlq4st/BH_FAW.zip