Ako imate neke asocijacije sa svim ili ponekim ilustracijama od ovih 9 koje postavih... Apsolutno ste u pravu... ;)

Edited June 28, 201113 yr by dare...

Khaleesi u seriji nije oćelavila pošto je rodila izlegla jamzove, falsifikat...

Svaka cast Dare, ilustracije su izvrsne! Znas li mozda imena autora (prepoznajem samo 3. sliku prvog posta - Linda Bergvist, ilustraciju L. Roya, a za Kheelesi pretpostavljam da je autor Michael Komarck)?Od Linde Bergvist ova mi je najbolja:Prema njenim recima, radi se o alegoriji covekove opcaranosti Prirodom, tacnije alegoriji njene mracnije strane - posesivne ljubavi, zelje za posedovanjem, koja je beznadezna jer dovodi do unistenja predmeta zelje (devojka u belom za sobom ostavlja tragove smrti i truljenja).

COS KONIOTIS

Divne li teme Vallejova učenica Julie Bell:complete works galleryi jedna od mojih omiljenih:

Jean Delville

Xueguo Yang

CARICATURE MAP OF EUROPE 1914The Clanker Powers:Germany is a massive military machine with weapons aimed outwards to all surrounding countries. It points threateningly at Britain, not so much as a sign of direct aggression, but more as an indicator that it was now Germany’s turn to start a grand global Empire to challenge the world’s current one.Austria Hungary is an aggressive armoured giant, teetering on shoddy foundations. It is also the primary aggressor in a land grab against Serbia, with two bayonets piercing the border.The Ottoman empire is a teetering automaton, collapsing under the weight of a paranoid and ungainly spying network that gazes at Europe through many lenses and spy glasses. Istanbul is labeled Constantinople following the period's English naming conventions.The Swiss watch ticks away the time, comfortable to wait it all out.The Darwinist Powers:Britain is an militaristic lion with a Roman Imperial italic-type helmet. It sits upon a mound of riches gathered from its Empire.France’s elephant beast (wearing the French kepi they started the war with before adapting their firefighter helmets) is influenced by the Elephantine Collossus built for the Universal Exhibition of 1889 in Paris (later it ended up going to the Moulin Rouge.)Russia is a huge imperialist bear, rotting and filled with maggots.Serbia’s imagery is an indicator of the huge amounts of civilian deaths and suffering they’ll find themselves subject to.Norway and Sweden are both Scandinavian trolls in the style of John Bauer, an inspirational illustrator from the era who produced a lot of phenomenal work during the war.Portugal is a parrot for the Entente trying to goad a slumbering Spain into the war.Ireland looks askance to Britain and brandishes a shillelagh. An indicator of their very rough relationship at the time, and of their upcoming involvement with the Central powers.Italy is a clutch of snakes with intents on the Central powers despite existing agreements. A foreshadowing of their arrangements at the secret 1915 Treaty of London where they were promised land in exchange for involvement. It was heavily influenced by Italian Prime Minister, Antonio Salandra’s open policy of serving Italy’s "divine self-interest."www.keiththompsonart.com Ima stotinjak interesantnih ilustracija, npr. alternativni nemački i ruski ww2 mechovi (medved )

Jeremiah Ketner

sidney sime

kako je ovo dobro.malo drugacije, ali vredi pomenuti - petriciceve ale

Petar Meseldzija

Naslone strane Galaksije iz sedamdesetihhttp://www.flickr.com/photos/64750877@N07/sets/72157626977181903/with/6009272152/