now playing 2nd coming

February 11, 2019

Nešto kratkih utisaka o taze i relativno taze albumima sa subjektivnim ocenama.

Bethany Curve - Murder

Shoegaze. Odavno je sve rečeno tu, međutim, u granicama žanra ovo je sasvim neloše. 6.5/10

Bob Mould - Sunshine Rock

Imao je niz od tri odlična, mračna albuma. Ovaj je poletniji, ali slabiji od prethodnih. Nekako mi je duhom bliži File Under: Easy Listening. Dobar rok album. Nadam se da ću naći još nešto za više od 7.5/10

Boy Harsher - Careful

Coldwave, synth, depechemodasto... ne znam kako se ovo klasifikuje. Super mi je za brzo hodanje, prevoz, ali opet... 7.5/10

Cass McCombs - Tip of the Sphere

Volim Cassa, no album mi album uopšte nije legao. Ne ocenjujem, možda mi se na kraju i svidi. Kritičari uglavnom pišu da je vrlo dobar/odličan.

Deerhunter - Why Hasn't Everything Already Disappeared

Indie rock. Dobar i ne preterano originalan. 7/10

Juliana Hatfield - Weird

6.5/10

Rustin Man - Drift Code

Žanrovski previše šaren za klasifikaciju. Očekivao više, smeta mi vokal. Moram da ga slušam još, ali odličan nije...

The Telescopes - Exploding Head Syndrome

Teška psihodelija. Ovako nešto je moglo biti snimljeno i tamo negde 1987. Teži monotoniji. 5.5/10

The Twilight Sad - It Won't Be Like This All the Time

Najbliža referenca bi bila Interpol, imaju tu i tamo nešto shoegazično. Isti kao i svi njihovi albumi, ali rekao bih, jedan od dva najbolja. 7.5/10

Unloved - Heartbreak

60s pop. Samo evidentiram, ne ocenjujem, nije mi legao zasad.

Weezer - Weezer

Neoriginalne obrade velikih MTV hitova, uglavnom iz osamdesetih. Nisam ljubitelj ovog benda. Za sramim se priznati.

Xiu Xiu - Girl with Basket of Fruit

Neko eksperimentisanje a la no wave. 6.5/10, ali daću mu još koju šansu.

I tako. Niš posebno. Čekam novi album Beth Gibbons.

February 12, 2019

On 10.2.2019. at 10:36, maheem said:

Osmorica njegovih sinova sviraju u Hypnotic Brass Ensemble-u

Quote

Hudah, Cid, Baji, L.T., Yosh, Rocco and Clef and Smoove—eight sons of the jazz trumpeter, astral jazz pioneer, and black American icon Phil Cohran—grew up on Chicago’s South Side living apart from their peers. They were raised as vegans. They wore homemade clothes and hand-me-downs to school. And they lined up sometimes before dawn every morning for practice. Cohran taught his sons to play their horns young, in some cases shortly after they learned to walk, and they would line up as a family for “long tones,” where they emptied all the breath in their bodies into their horns, generating one rich drone that greeted the sunrise.