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Autorska prava


Yoyogi

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Autorska prava isticu posle 50 godina. Tako je sada.Nakon toga, pesme su opste dobro. Ko je ocekivao da ce The Beatles iko da se seca za 50 godina?Njihov prvi hit, 1962, Love me Do:http://www.youtube.com/watch?v=_xuMwfUqJJMAutorska prava isticu 2012-te.Yoko Ono, Paul McCartney, uzimaju advokate, idu po sudovima da isteraju vremenski neogranicenu zasticenost autorskih prava.Da li je ovo ekonomija ili muzika, Mods, prebacite.

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Баш сам нешто размишљао какву би то ствар Јоко могла да уради да достојно обележи неку годишњицу... и пад ми на ум да би пуштање, рецимо, "Дајте шансу миру" у јавни домен било, онако, права ствар, у духу Џоновог опуса.А шансе за тако нешто су...?

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Autorska prava i dalje isticu 50 godina nakon smrti autora u svim zemljama koje su potpisnici Bernske konvencije. Miki Maus zakon je interni americki akt i nema dejstvo na zastitu koju uziva americki autor u Srbiji, na primer.

Edited by nautilus
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Autorska prava isticu 2012-te.Yoko Ono, Paul McCartney, uzimaju advokate, idu po sudovima da isteraju vremenski neogranicenu zasticenost autorskih prava.
Neka angažuju 7 sekretara SOKOJ-a.
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Autorska prava i dalje isticu 50 godina nakon smrti autora u svim zemljama koje su potpisnici Bernske konvencije. Miki Maus zakon je interni americki akt i nema dejstvo na zastitu koju uziva americki autor u Srbiji, na primer.
od 1993 nije vise tako (link).
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Ne mogu da nadjem originalni clanak, pojavio se nakon smrti Majkla Dzeksona koji je bio vlasnik (kupio) autorskih prava na 200 pesama Bitlsa. Pol Mekartni je morao da placa Dzeksonu da bi mogao da peva svoje sopstvene pesme. U testamentu je Dzekson ostavio Polu sve to u nasledstvo.U clanku je bilo ovako nesto:Across the European Union, authors of songs and their families benefit from copyright for the whole of their lives plus 70 years, while performers of songs and their producers benefit for just 50 years from the date of recording - as in the case of some Cliff Richard songs from 1958 and some Beatles songs from 1963. Perfomers and producers have banded together to ask for the same treatment as authors, arguing that 50 years is not long enough, especially as life expectancy has increased by seven years for men and women in Europe over the last few decades.

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Pa naravno da je nemoguce, ali ako si pala s Marsa. S obzirom da u Srbiji imas odredjen broj beskorisnih, a privilegovanih, ta njihova privilegija mora odnekud da se finansira, zar ne?U principu nema veze s ovom temom, tako da postu ovde nije mesto.

Edited by Venom
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:isuse:Meni je fascinantno da neko ko je smislio pop hitic pre 60 godina misli da i dalje treba da mu kaplje zbog toga. Aman! Voleo bi da mene za 60 godina neko placa za ono sto sam uradio juce (i bio placen uredno za to).http://www.bbc.co.uk/news/entertainment-arts-14882146

Rock veterans win copyright fightSir Cliff Richard Sir Cliff Richard was at the forefront of the campaign to extend copyrightMusicians are set to receive royalties from sales and airplay well into their old age under a new EU ruling.On Monday, the EU Council voted to extend the copyright on sound recordings from 50 to 70 years.The move follows a campaign by artists like Cliff Richard as well as lesser-known performers, who said they should continue to earn from their creations.Critics argue that many musicians will see little benefit, with most income going to big stars and record labels.The change applies to the copyright on studio recordings, which is often owned by record labels, rather than the right to the composition, which is owned by the songwriters.Under the 50-year rule, the copyright on songs by The Beatles, the Rolling Stones and The Who would have expired in the next few years.That would have meant that anyone could have used and sold those songs in any way, and the performers and record labels would have ceased to receive royalties.Rolling Stone Mick Jagger told the BBC that the EU's decision was "obviously advantageous" to musicians."Obviously the record business is not what it was, so people don't earn as much as they used to," he said. "[The royalties] can extend their lives and the lives of their families who inherit their songs."Abba star Bjorn Ulvaeus added that one benefit was that he would retain control over how his compositions were used in the future.ABBA Bjorn Ulvaeus (left) said the ruling would stop Abba's songs being used in adverts without permission"Now I won't have to see Abba being used in a TV commercial," he said. "And the thousands of lesser-known musicians around Europe who are enriching our life and culture can get the fair reward in return for their work that they deserve."Announcing the ruling, the council of the European Union said: "Performers generally start their careers young and the current term of protection of 50 years often does not protect their performances for their entire lifetime."Therefore, some performers face an income gap at the end of their lifetimes."The new law also includes a number of provisions designed to ensure that musicians see a fair proportion of the extra income, including a fund for musicians who signed away their rights when a recording was made.The fund will be financed by record labels, who put aside a percentage of the benefits they get from the prolonged copyright.There is also a clause to allow performers to renegotiate contracts with record labels after 50 years.And artists will be able to regain the rights to a recording if their label has kept it in a vault and not made it available to the public.John Smith, general secretary of the Musicians' Union, said it was a "brilliant moment".“It puts money into the pockets of big labels - it's unlikely to benefit smaller artists”Jim Killock Open Rights Group"We were having to deal with quite old people who were saying: 'My music's been used for something else - it's been sampled, it's been used in a pop song, it's been used in an advert.' And we couldn't do anything for them."Geoff Taylor, head of the BPI, which represents record labels, added that the ruling would "ensure that UK record labels can continue to reinvest income from sales of early recordings in supporting new British talent".The move comes five years after the government-backed Gowers Report into copyright rejected the arguments for an extension.It said change would "negatively impact upon consumers and industry", noting that the average level of royalties paid to performers from sales was "very low".It also cited research by the University of Cambridge, which suggested that the benefits to artists would be highly skewed in favour of "a relatively small number of performers of successful older works".In May, another government-commissioned report by Professor Ian Hargreaves said the effect of an extension to copyright would be "economically detrimental".Jim Killock, executive director of the campaigning organisation the Open Rights Group, said there was "never any evidence it was going to do any good".He said: "It puts money into the pockets of big labels. It's unlikely to benefit smaller artists and it will mean that a lot of sound recordings that are out of print will stay out of print."
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:isuse:Meni je fascinantno da neko ko je smislio pop hitic pre 60 godina misli da i dalje treba da mu kaplje zbog toga. Aman! Voleo bi da mene za 60 godina neko placa za ono sto sam uradio juce (i bio placen uredno za to).
Kada bi autorska prava istekla, hiljade bi pokusale da zarade pare prepevavajuci oprobani tudji "hitic". Mogli bi da ga koriste ko kako i zasta hoce u komercijalne svrhe.Ako neko vec treba da zaradi pare, sto da ne bas onaj koji ga je i smislio?
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